Side A: Heracles fleeing with the Delphic tripod on which the Pythia uttered her prophesies. After murdering Iphitos, son of Erytos, he came to consult her to absolve himself. She refused him a reply.
Side B: Apollo, wearing a chlamys (mantle), pursues him to defend his oracle. The circular field which contains this composition seems to add vigour to the pursuit. Heracles looks behind him and Apollo stretches out his right hand towards him in the desire to recover his tripod. Heracles’ chest muscles and head are rendered in great detail.
L. Utkina, D. Vanhove
J. D. Beazley, ARV2 (Oxford, 1963) no. 2 p. 226. A. A. Peredolskaya, Krasnofigurnye Atticheskie vazy (Leningrad, 1967) no. 28 p. 34, pl. XVIII.
Keywords: κεραμικά ceramics ceramica keramik céramique ελλάδα grecia graecia hellas greece grecia griechenland grèce μυθολογία mythology mitologia mythologie mythologie ελληνική μυθολογία mythologia graeca greek mythology mitologia greca griechische mythologie mythologie grecque ἡρακλῆς ηρακλής herakles hercules heracles herakles hercules èracle eracle ercole herakles herkules héraclès hercule heracles fleeing with the delphic tripod red-figure red-figured amphora attic by the munich painter amphora 2306 clay hercules delphian club garland from leaf leaves laur laurel theft of from the campana collection inv no б 1565 b 1565 st 1639 б 602 b 602