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: . . 16. , 2013. . 7785.

.77 , ( , , )1, , , , , . , , , , ; , , .

, , .

, , ? , - , , ( ), , , . , , .78 , . 560525 . . .2 : . . , , , : , , 3.

, , , , , , , ,   , , 4. , , . , , , , . , 5, , : , , , 6. 7. - .

, . , , - , , . , - .

: - . , .79 ,  , , .

, , . VIII  . VII . . .,   8.

. . . 9, . , , , 10, 11, , .

,   . ( VIII . . .) : , , , .

-   , . . , . , , : ,  ,   , , 12.

, . , , , ( , ): , !  , !  !  13.

.80 , : (, ),   , . , : : (Sophilos megrasphen), : (patroklus atla)14.

, -,   . , , - , , .

, , , ( , , . 525 . . .)15 ( , . 180 . . .).   : , ( )  : , , ,   , , , , . , .

, . . . , , , 16. ,   ,   , . . , , , 17, , 18. , ( ?)  .

. .81 . VI . . ., 19, , (. 1).   -, -, (), , , , , 20 , , (. 2). , , . : , , . , , :   , ,  :   ().

, , .   - . , , , 21, , 22.

, (650625 . . .)23. ,   , , , . , , 24  , , , , ,   , .

, , . 510500 . . ., , .82 (. 3, 4)25. : , , (A) , , (B) , . : A   ,   , : Leagros kalos,   .   , : , !26.

  , , , , . , , , . , , , , . : , , .   , , ( , )27.

, . , . , , , , : . , , , . ,   , , .

, , ,   . , , , . , ,   , .

, , : .83   , ,   , .

, , , :   ,   . , ,   , , : , , . , , .

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, , , , , .   .   , . , , , , . , ( )  .

, , , . .

Savostina E. A. Inscription on a vase. About a word meaning in graphic space of Greek vase painting

Notes continue a subject of explanatory system in Greek vase painting. At first geometrical badges, then symbolical figures of animals, and, at last, an inscription are consistently applied as signs commentators. The inscription role in a graphic field of a vase is various, one of examples  Corinthian aryballos with the image of jumping dance under flute sounds, shows that the inscription can be used not only as semantic, but also a graphic element, and here it gives a rhythm of dance and as though sounds a scene.


.84

. 1. . , . 590 . . . , .
. 2. , ( . ).

.85

. 3. . , . 510500 . . . A. , .
. 4. . , . 510500 . . . B. , .


  • 1 . . .  // . , , . 2009. ., 2009. . 311332; . . - // . 2011. . 15. . 3156; . , . ,  // . 2011. . 543548; .  // . : , , . 2012. . 11. . 146155.
  • 2   , . 560525 . . . ( , F 1655): . . . 38. . 27. . 11.
  • 3 . . . . ., 2008. . 119122.
  • 4Hurwit J. M. Lizards, Lions, and the Uncanny in Early Greek Art // Hesperia. 2006. Vol. 75. No. 1. P. 121136.
  • 5Ibid. P. 129130.
  • 6Ibid. P. 132.
  • 7 . .  // . . ., 1996. . 3133.
  • 8   . 730720 . . . , : Neer R. T. Art and Archaeology of the Greek World. A New History, c. 2500  c. 150 BCE. L., 2012. P. 90. Fig. 3. 37a, b. 700675 . , : Cook R. M. Greek Painted Pottery. L., 1997. P. 63.
  • 9 . .  // . (1979) . . . . ., 1980. . 4199.
  • 10Small J. P. The Parallel Words of Classical Art and Text. Cambr., 2003.
  • 11Steiner A. Reading Greek Vases. Cambr., 2007.
  • 12Clark A. J. etc. Understanding Greek Vases. A Guide to Terms, Styles, and Techniques. Los Angeles, 2002. P. 41. Fig. 29.
  • 13Small J. P. The Parallel Words P. 11. Fig. 1.
  • 14Small J. P. The Parallel Words P. 12. Fig. 2.
  • 15Ibid. Fig. 5.
  • 16 . . . 61.
  • 17 . . 61.
  • 18 . . 62.
  • 19, : Boardman J. Early Greek Vase Painting. L., 1998. P. 179. Fig. 363. 1, 2  . 600 . . . .   . 590570 . . .: Neer R. T. Art and Archaeology P. 139.
  • 20Neer R. T. Art and Archaeology P. 139.
  • 21 , , : Boardman J. Athenian red figure Vases. The Archaic Period. L., 1996. P. 138. Fig. 286.
  • 22 . . ., 2007. . 36.
  • 23 . . . 37.
  • 24Stewart A. Greek Sculpture: an Exploration. Yale, 1990. Vol. II. P. 2425. Fig. 24.
  • 25Steiner A. Reading Greek Vases P. 14. Fig. 1. 1, 1. 2.
  • 26Ibid. P. 4.
  • 27Ibid. P. 5.
  • 1418914887 1418915353 1418916582 1472815876 1472818983 1472819406

    , .