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3641. SCULPTURE. Rome.
Mounting marks on the adjacent slabs of the lower (decorative) register of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos.
After 169 (166?) CE.
Vienna, Ephesos Museum.
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3642. SCULPTURE. Rome.
Personifications of Cities: Ktesiphon and Seleukia (?), with a River God.
Scene from a cycle “Personifications of Cities of Roman Empire” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos.
After 169 (166?) CE.
Vienna, Ephesos Museum.
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3643. SCULPTURE. Rome.
River god (a close-up of relief “Personifications of Cities: Ktesiphon and Seleukia(?), with a River God”.
Scene from a cycle “Personifications of Cities of Roman Empire” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos.
After 169 (166?) CE.
Vienna, Ephesos Museum.
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3644. SCULPTURE. Rome.
Apoxyomenos (athlete scraping his body with a strigil).
Bronze. Roman copy of a bronze original by Polykleitos ca. 320 BCE.
Inv. No. 129.
Vienna, Ephesos Museum.
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3645. SCULPTURE. Rome.
Apoxyomenos (athlete scraping his body with a strigil).
Bronze. Roman copy of a bronze original by Polykleitos ca. 320 BCE.
Inv. No. 129.
Vienna, Ephesos Museum.
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3646. SCULPTURE. Rome.
Apoxyomenos (athlete scraping his body with a strigil).
Bronze. Roman copy of a bronze original by Polykleitos ca. 320 BCE.
Inv. No. 129.
Vienna, Ephesos Museum.
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3647. SCULPTURE. Rome.
Wounded Parthian general on horseback. Scene from a cycle “Parthian war” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Inv. No. 858.
Vienna, Ephesos Museum.
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3648. SCULPTURE. Rome.
Apotheosis of Lucius Verus.
Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Inv. No. I 867.
Vienna, Ephesos Museum.
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3649. SCULPTURE. Rome.
Apotheosis of Lucius Verus (detail).
Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Inv. No. I 867.
Vienna, Ephesos Museum.
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3650. SCULPTURE. Rome.
Apotheosis of Lucius Verus (detail).
Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Inv. No. I 867.
Vienna, Ephesos Museum.
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3651. SCULPTURE. Rome.
Trajan.
Marble. Ca. 108 CE.
Vienna, Museum of Art History.
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3652. GLYPTICS. Rome.
“The Gemma Augustea”.
Onyx. Ca. 12—7 BCE.
Vienna, Museum of Art History.
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3653. GLYPTICS. Rome.
“The Gemma Augustea”. The upper register.
Onyx. Ca. 12—7 BCE.
Vienna, Museum of Art History.
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3654. GLYPTICS. Rome.
“The Gemma Augustea”. The lower register.
Onyx. Ca. 12—7 BCE.
Vienna, Museum of Art History.
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3655. SCULPTURE. Rome.
Sarcophagus of the Muses.
White marble.
Rome, 180—200 CE.
Vienna, Museum of Art History.
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3656. SCULPTURE. Rome.
Sarcophagus of the Muses. Detail: Athena with an owl and a snake.
White marble. Rome, 180—200 CE.
Vienna, Museum of Art History.
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3657. SCULPTURE. Rome.
Sarcophagus of the Muses. Detail: Erato.
White marble. Rome, 180—200 CE.
Vienna, Museum of Art History.
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3658. SCULPTURE. Rome.
Sarcophagus of the Muses. Detail: Terpsichore and Thalia.
White marble. Rome, 180—200 CE.
Vienna, Museum of Art History.
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3659. SCULPTURE. Rome.
An unknown woman.
Marble. Early 3rd century CE.
Inv. No. AS 194.
Vienna, Museum of Art History.
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3660. SCULPTURE. Rome.
Faustina the Elder.
Marble.
Mid-2nd century.
Inv. No. AS I 12.
Vienna, Museum of Art History.
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