ANCIENT ART

Photographer: Ilya Shurygin (3663 photo)
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1841. SCULPTURE. Rome.
Athena Parthenos (close up).
Roman copy of Pheidias’ work.
Inv. No. 53.
Patras, New Archaeological Museum.
1842. SCULPTURE. Greece.
A female head.
Marble. 4th cent. BCE.
Inv. No. 65.
Patras, New Archaeological Museum.
1843. SCULPTURE. Greece.
Grave stele of gladiator Trypheros.
Marble. Patras. 2nd—3rd centuries CE.
Inv. No. 191.
Patras, New Archaeological Museum.
1844. SCULPTURE. Greece.
Base of a statue with a depiction of training of gladiators.
Marble.
Late 1st — early 2nd cent. CE.
Inv. No. 1915.
Patras, New Archaeological Museum.
1845. SCULPTURE. Rome.
A part of a funerary monument portraying Attis.
Mid-1st century CE.
Inv. No. A 626.
Pavia, Civic Museums.
1846. ARCHITECTURE. Etruria.
Tomb of the Cai Cutu family.
3rd—1st centuries BCE.
Perugia, National Archaeological Museum of Umbria.
1847. ARCHITECTURE. Etruria.
Tomb of the Cai Cutu family.
3rd—1st centuries BCE.
Perugia, National Archaeological Museum of Umbria.
1848. ARCHITECTURE. Etruria.
Tomb of the Cai Cutu family.
3rd—1st centuries BCE.
Perugia, National Archaeological Museum of Umbria.
1849. SCULPTURE. Etruria.
Cinerary urn of a woman with a scene of a battle between the Giants and the Gods.
Travertine. 2nd century BCE.
Inv. No. Bell. 134.
Perugia, National Archaeological Museum of Umbria.
1850. SCULPTURE. Etruria.
Cinerary urn of Aule Cacni with a scene of a battle between the centaurs and the Greeks.
Travertine. 2nd century BCE.
Inv. No. Com. 5.
Perugia, National Archaeological Museum of Umbria.
1851. SCULPTURE. Etruria.
Cinerary urn of Larth Cai Cnares with a scene of the sacrifice of Iphigenia.
Travertine. 2nd—1st centuries BCE.
Inv. No. Com. 46.
Perugia, National Archaeological Museum of Umbria.
1852. SCULPTURE. Rome.
Cinerary urn of Marcus Ulpius Floridus with a scene of the Persephone’s abduction.
Marble. Early 2nd cent. CE. Rome (?).
Inv. No. Com. 515.
Perugia, National Archaeological Museum of Umbria.
1853. SCULPTURE. Rome.
Cinerary urn of Marcus Ulpius Floridus with a scene of the Persephone’s abduction. Close-up.
Marble. Early 2nd cent. CE. Rome (?).
Inv. No. Com. 515.
Perugia, National Archaeological Museum of Umbria.
1854. ARCHITECTURE. Rome.
Villa Romana del Casale.
First half of the 4th century.
Piazza Armerina, Villa Romana del Casale.
1855. ARCHITECTURE. Rome.
Villa Romana del Casale (map of the area).
First half of the 4th century.
Piazza Armerina, Villa Romana del Casale.
1856. ARCHITECTURE. Rome.
The interior of the basilica.
First half of the 4th century.
Piazza Armerina, Villa Romana del Casale, Basilica.
1857. MOSAIC. Rome.
Entrance to the room with a floor mosaic depicting ten young women performing physical excercises (the so-called “Maidens in Bikini”).
First half of the 4th century.
Piazza Armerina, Villa Romana del Casale, Chamber of the Ten Maidens.
1858. MOSAIC. Rome.
Floor mosaic depicting ten young women performing physical excercises (the so-called “Maidens in Bikini”).
First half of the 4th century.
Piazza Armerina, Villa Romana del Casale, Chamber of the Ten Maidens.
1859. MOSAIC. Rome.
Floor mosaic depicting ten young women performing physical excercises (the so-called “Maidens in Bikini”) — the lower register.
First half of the 4th century.
Piazza Armerina, Villa Romana del Casale, Chamber of the Ten Maidens.
1860. MOSAIC. Rome.
Floor mosaic depicting ten young women performing physical excercises (the so-called “Maidens in Bikini”) — the left half of the higher register.
First half of the 4th century.
Piazza Armerina, Villa Romana del Casale, Chamber of the Ten Maidens.
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