Bacchus and Vesuvius.
Naples, National Archaeological Museum, Hall LXXV
(Napoli, Museo archeologico nazionale, Sala LXXV).
Bacchus and Vesuvius, from Pompeii, House of the Centenary (IX, 8, 6)
inv. 112286There has been much debate as to whether the cone-shaped mountain covered in trim vineyards is Vesuvius or the hill of Nisas, sacred to Dionysus. Both interpretations are possible, considering that a lararium could be decorated with either mythical or realistic scenes, and if one reflects for a moment, they are not even mutually exclusive, for Martial compared Vesuvius to the hills of Nisas in his famous verses lamenting the eruption of the former in 79 A.D.
The Dionysian connotation of the lararium is clearly affirmed by the presence of the god with his customary attributes (kantharos, panther and thyrsus), transformed into a bunch of grapes in a singular image which transmutes his body in the same way as an Ephesian Artemis is girt with innumerable breasts. The other elements in the picture, such as the garlands, birds and the beneficent divinity in the form of a serpent bearing an egg to the altar, belong to the most banal stereotypes of lararium decoration.
The other wall of the shrine remained in situ in Pompeii and shows the traditional figures of the Lares against a background of stylised trees.
Text: museum inscription to the fresco (2, 4).
2019. Add. information: http://pompeiiinpictures.com.
© 1996. Description: Stefano De Caro. The National Archaeological Museum of Naples. Soprintendenza Archeologica di Napoli e Caserta. Electa, Napoli, 2001. P. 200.