THE GALLERY OF ANCIENT ART

Sculpture | Rome
141. SCULPTURE. Rome.
Portrait of Drusus Minor.
Marble. 22—23 CE.
Inv. No. G. 165.
Avignon, Lapidarium of Calvet museum.
142. SCULPTURE. Rome.
Clay slab of the Campana type with representation of Silenus, Eros and Maenad.
Terracotta.
Augustan age (27 BCE — 14 CE).
Baiae, Archaeological Museum of Phlegraean Fields.
143. SCULPTURE. Rome.
Relief with a trireme.
Fine-grained marble with grey veins.
Last decades of the 1st cent. BCE.
Baiae, Archaeological Museum of Phlegraean Fields.
144. SCULPTURE. Rome.
Statue of Antonia the Younger.
Marble.
Baiae, Archaeological Museum of Phlegraean Fields.
145. SCULPTURE. Rome.
Relief “Aeterna Roma”.
Marble. Mid-2nd century CE.
Baiae, Archaeological Museum of Phlegraean Fields.
146. SCULPTURE. Rome.
Relief “Aeterna Roma” (close-up).
Marble. Mid-2nd century CE.
Baiae, Archaeological Museum of Phlegraean Fields.
147. SCULPTURE. Rome.
Vipsania Agrippina.
Pentelic marble.
Tiberian period.
Baiae, Archaeological Museum of Phlegraean Fields.
148. SCULPTURE. Rome.
Vipsania Agrippina (close-up).
Pentelic marble.
Tiberian period.
Baiae, Archaeological Museum of Phlegraean Fields.
149. SCULPTURE. Rome.
Vipsania Agrippina (close-up).
Pentelic marble.
Tiberian period.
Baiae, Archaeological Museum of Phlegraean Fields.
150. SCULPTURE. Rome.
Vipsania Agrippina (close-up).
Pentelic marble.
Tiberian period.
Baiae, Archaeological Museum of Phlegraean Fields.
151. SCULPTURE. Southern Italy.
Ixion.
Marble.
First half of the 2nd cent. CE.
Baiae, Archaeological Museum of Phlegraean Fields.
152. SCULPTURE. Southern Italy.
Ixion.
Marble.
First half of the 2nd cent. CE.
Baiae, Archaeological Museum of Phlegraean Fields.
153. SCULPTURE. Rome.
Sitting nymph from the group “Invitation to the dance”.
Medium-grained white marble of Greek provenance (thasian).
Roman copy after a Greek marble or bronze model of the 1st century BCE.
Claudian period (41—54 CE).
Baiae, Archaeological Museum of Phlegraean Fields.
154. SCULPTURE. Rome.
Sitting nymph from the group “Invitation to the dance”.
Medium-grained white marble of Greek provenance (thasian).
Roman copy after a Greek marble or bronze model of the 1st century BCE.
Claudian period (41—54 CE).
Baiae, Archaeological Museum of Phlegraean Fields.
155. SCULPTURE. Rome.
Sitting nymph from the group “Invitation to the dance”.
Medium-grained white marble of Greek provenance (thasian).
Roman copy after a Greek marble or bronze model of the 1st century BCE.
Claudian period (41—54 CE).
Baiae, Archaeological Museum of Phlegraean Fields.
156. SCULPTURE. Rome.
Portrait of a member of a Julio-Claudian dynasty.
Medium/fine grain white Parian marble.
First decades of the 1st cent. CE.
Baiae, Archaeological Museum of Phlegraean Fields.
157. SCULPTURE. Rome.
Portrait of a member of a Julio-Claudian dynasty.
Medium/fine grain white Parian marble.
First decades of the 1st cent. CE.
Baiae, Archaeological Museum of Phlegraean Fields.
158. SCULPTURE. Rome.
Portrait of a member of a Julio-Claudian dynasty.
Medium/fine grain white Parian marble.
First decades of the 1st cent. CE.
Baiae, Archaeological Museum of Phlegraean Fields.
159. SCULPTURE. Rome.
Head of an Amazon.
Pentelic marble. Roman copy of the 1st cent. CE after a Greek original.
Baiae, Archaeological Museum of Phlegraean Fields.
160. SCULPTURE. Rome.
Head of an Amazon.
Pentelic marble. Roman copy of the 1st cent. CE after a Greek original.
Baiae, Archaeological Museum of Phlegraean Fields.