THE GALLERY OF ANCIENT ART

[1]  ...   [9]  [10]  [11]  [12]  [13]  [14]
	201. SCULPTURE. Greece. A girl playing the flute. Altar of Aphrodite (the so-called “Ludovisi Throne”) — the left-side relief. Marble. 460—450 BCE. Inv. No. 8570. Rome, Roman National Museum, Palazzo Altemps.
	202. SCULPTURE. Greece. A girl playing the flute. Altar of Aphrodite (the so-called “Ludovisi Throne”) — the left-side relief. Marble. 460—450 BCE. Inv. No. 8570. Rome, Roman National Museum, Palazzo Altemps.
	203. SCULPTURE. Greece. Veiled woman offering incense. Altar of Aphrodite (the so-called “Ludovisi Throne”) — the right-hand relief. Marble. 460—450 BCE. Inv. No. 8570. Rome, Roman National Museum, Palazzo Altemps.
	204. SCULPTURE. Greece. Veiled woman offering incense (close-up). Altar of Aphrodite (the so-called “Ludovisi Throne”) — the right-hand relief. Marble. 460—450 BCE. Inv. No. 8570. Rome, Roman National Museum, Palazzo Altemps.
	205. SCULPTURE. Rome. Relief depicting Antinous represented as god of the woods Silvanus. Marble. 130—138 CE. Inv. No. 168186. Rome, Roman National Museum, Palazzo Massimo alle Terme.
	206. SCULPTURE. Greece. Base with Maenads. White penthelic marble. Production of a Greek workshop of the 2-nd half of 1-st cent. BCE. Inv. No. 2001482. Rome, Roman National Museum, Palazzo Massimo alle Terme.
	207. SCULPTURE. Greece. Base with Maenads. White penthelic marble. Production of a Greek workshop of the 2-nd half of 1-st cent. BCE. Inv. No. 2001482. Rome, Roman National Museum, Palazzo Massimo alle Terme.
	208. SCULPTURE. Greece. Base with Maenads. White penthelic marble. Production of a Greek workshop of the 2-nd half of 1-st cent. BCE. Inv. No. 2001482. Rome, Roman National Museum, Palazzo Massimo alle Terme.
	209. SCULPTURE. Rome. Relief with dancing warriors. Marble. Roman copy of the late republican era after a classic Greek model. Inv. No. 321. Rome, Vatican Museums, Pius-Clementine Museum, Room of the Muses, 66.
	210. SCULPTURE. Rome. Relief with dancing warriors. Detail. Marble. Roman copy of the late republican era after a classic Greek model. Inv. No. 321. Rome, Vatican Museums, Pius-Clementine Museum, Room of the Muses, 66.
	211. SCULPTURE. Greece. Relief with dancing warriors. Marble. Neo-Attic work of the first half of the 1st cent. BCE after an Athenian relief of the second half of 4th cent. BCE. Inv. No. 321. Rome, Vatican Museums, Pius-Clementine Museum, Room of the Muses, 66.
	212. SCULPTURE. Greece. Relief with dancing warriors. Marble. Neo-Attic work of the first half of the 1st cent. BCE after an Athenian relief of the second half of 4th cent. BCE. Inv. No. 321. Rome, Vatican Museums, Pius-Clementine Museum, Room of the Muses, 66.
	213. SCULPTURE. Rome. Dancing Maenad Greco-roman, 1st century BCE. Marble. Saint Petersburg, State Hermitage Museum.
	214. SCULPTURE. Rome. Dancing Maenad. Foot of a candelabrum. Marble. Greco-roman, 1st century BCE. Inv. No. A 69. Saint Petersburg, State Hermitage Museum.
	215. SCULPTURE. Rome. Decorative vase “Dionysus and his companions”. Marble. 2nd century CE. Inv. No. A 111. Saint Petersburg, State Hermitage Museum.
	216. SCULPTURE. Greece. Decorative vase “Dionysus and his companions” (a close-up of the frieze relief). Marble. 2nd century CE. Inv. No. A 111. Saint Petersburg, State Hermitage Museum.
	217. SCULPTURE. Greece. Decorative vase “Dionysus and his companions” (a close-up of the frieze relief). Marble. 2nd century CE. Inv. No. A 111. Saint Petersburg, State Hermitage Museum.
	218. SCULPTURE. Greece. Decorative vase “Dionysus and his companions” (a close-up of the frieze relief). Marble. 2nd century CE. Inv. No. A 111. Saint Petersburg, State Hermitage Museum.
	219. SCULPTURE. Greece. Decorative vase “Dionysus and his companions” (a close-up of the frieze relief). Marble. 2nd century CE. Inv. No. A 111. Saint Petersburg, State Hermitage Museum.
	220. SCULPTURE. Greece. Decorative vase “Dionysus and his companions” (a close-up of the frieze relief). Marble. 2nd century CE. Inv. No. A 111. Saint Petersburg, State Hermitage Museum.
[1]  ...   [9]  [10]  [11]  [12]  [13]  [14]