THE GALLERY OF ANCIENT ART
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| 401. SCULPTURE. Rome. Diana (Artemis) Huntress known as Diana of Versailles. The “Seville-Palatine” type. Marble. Roman copy of the 1st—2nd cent. CE of a lost Greek bronze original attributed to Leochares, ca. 325 BCE. Inv. Nos. MND 1560 / Ma 3435. Paris, Louvre Museum. | |
| 402. SCULPTURE. Rome. Diana (Artemis) Huntress known as Diana of Versailles. The “Seville-Palatine” type. Marble. Roman copy of the 1st—2nd cent. CE of a lost Greek bronze original attributed to Leochares, ca. 325 BCE. Inv. Nos. MND 1560 / Ma 3435. Paris, Louvre Museum. | |
| 403. SCULPTURE. Rome. Diana (Artemis) Huntress known as Diana of Versailles. The “Seville-Palatine” type. Marble. Roman copy of the 1st—2nd cent. CE of a lost Greek bronze original attributed to Leochares, ca. 325 BCE. Inv. Nos. MND 1560 / Ma 3435. Paris, Louvre Museum. | |
| 404. SCULPTURE. Rome. Head of Aphrodite (the Aphrodite of Cnidos type), called “The Kaufmann Head”. Marble. Roman copy of the 1st—2nd century CE after a Greek statue of 360—350 BCE. Inv. Nos. MND 2027 / Ma 3518. Paris, Louvre Museum. | |
| 405. SCULPTURE. Rome. Head of Aphrodite (the Aphrodite of Cnidos type), called “The Kaufmann Head”. Marble. Roman copy of the 1st—2nd century CE after a Greek statue of 360—350 BCE. Inv. Nos. MND 2027 / Ma 3518. Paris, Louvre Museum. | |
| 406. SCULPTURE. Rome. Relief with dancing Maenads. Marble. 1st cent. CE. Inv. Nos. MNE 68 / Ma 3626. Paris, Louvre Museum. | |
| 407. SCULPTURE. Rome. Ares, called the “Borghese Ares”. Marble. 1st—2nd cent. CE (?). Inv. Nos. Mr 65 / Ma 866. Paris, Louvre Museum. | |
| 408. SCULPTURE. Rome. Ares, called the “Borghese Ares”. Marble. 1st—2nd cent. CE (?). Inv. Nos. Mr 65 / Ma 866. Paris, Louvre Museum. | |
| 409. SCULPTURE. Rome. “Borghese Ares”. Marble. 1st—2nd cent. CE (?). Inv. Nos. Mr 65 / Ma 866. Paris, Louvre Museum. | |
| 410. SCULPTURE. Rome. Satyr playing a flute. Parian marble. Part of a roman copy of 1st—2nd cent. CE after a Greek model of 300—380 BCE. Inv. Nos. MR 188 / Ma 595. Paris, Louvre Museum. | |
| 411. SCULPTURE. Rome. Satyr playing a flute. Parian marble. Part of a roman copy of 1st—2nd cent. CE after a Greek model of 300—380 BCE. Inv. Nos. MR 188 / Ma 595. Paris, Louvre Museum. | |
| 412. SCULPTURE. Rome. Satyr playing a flute. Parian marble. Part of a roman copy of 1st—2nd cent. CE after a Greek model of 300—380 BCE. Inv. Nos. MR 188 / Ma 595. Paris, Louvre Museum. | |
| 413. SCULPTURE. Rome. Dancing satyr from a so-called group “Invitation to the dance”. Marble. Roman copy of 1st—2nd cent. CE after a Greek marble or bronze model of the 2nd century BCE. Inv. Nos. MR 190 / Ma 395. Paris, Louvre Museum. | |
| 414. SCULPTURE. Rome. Dancing satyr from a so-called group “Invitation to the dance” (antic part). Marble. Roman copy of 1st—2nd cent. CE after a Greek marble or bronze model of the 2nd century BCE. Inv. Nos. MR 190 / Ma 395. Paris, Louvre Museum. | |
| 415. SCULPTURE. Rome. Three Graces. Marble. Roman copy of the Imperial Era (2nd century CE?) after a Hellenistic original. Heads is modern restoration. Inv. Nos. MR 211 / Ma 287. Paris, Louvre Museum. | |
| 416. SCULPTURE. Rome. Three Graces. Marble. Roman copy of the Imperial Era (2nd century CE?) after a Hellenistic original. Heads is modern restoration. Inv. No. MR 211 (Ma 287). Paris, Louvre Museum. | |
| 417. SCULPTURE. Rome. Three Graces. Marble. Roman copy of the Imperial Era (2nd century CE?) after a Hellenistic original. Heads is modern restoration. Inv. Nos. MR 211 / Ma 287. Paris, Louvre Museum. | |
| 418. SCULPTURE. Rome. Hermes tying his sandal, so-called “Iason”. Marble. Roman copy after a Greek original by Lysippos of the 4th century BCE. Inv. No. MR 238. Paris, Louvre Museum. | |
| 419. SCULPTURE. Rome. Hermes fastening his sandal, so-called “Cincinnatus”. Pentelic marble. Roman copy of the 2nd cent. CE after a Greek original by Lysippos of the 4th century BCE. Inv. Nos. MR 238 / Ma 83. Paris, Louvre Museum. | |
| 420. SCULPTURE. Rome. Hermes fastening his sandal, so-called “Cincinnatus”. Pentelic marble. Roman copy of the 2nd cent. CE after a Greek original by Lysippos of the 4th century BCE. Inv. Nos. MR 238 / Ma 83. Paris, Louvre Museum. | |