RussianTHE GALLERY OF ANCIENT ART
| 4161. SCULPTURE. Rome. Agrippa Postumus. Basanite. Ca. 4 CE. Inv. Nos. Ma 3498 / MND 1961. Paris, Louvre Museum. | |
| 4162. SCULPTURE. Rome. Agrippa Postumus. Basanite. Ca. 4 CE. Inv. Nos. Ma 3498 / MND 1961. Paris, Louvre Museum. | |
| 4163. SCULPTURE. Rome. Dramatic poet plays host to Dionysos (so-called “Icarios’ feast”). Detail. Neo-Attic relief. Marble. Roman copy of the 2nd cent. CE from Greek model of late 2nd cent. BCE. Inv. Nos. MR 719 / Ma 1606. Paris, Louvre Museum. | |
| 4164. SCULPTURE. Rome. Dramatic poet plays host to Dionysus (so-called “Icarios’ feast”). Neo-Attic relief. Marble. Roman copy of the 2nd cent. CE from Greek model of late 2nd cent. BCE. Inv. Nos. MR 719 / Ma 1606. Paris, Louvre Museum. | |
| 4165. SCULPTURE. Rome. Sosibios vase (close-up). Pentelic marble. Neo-attic work ca. 50 BCE. Inv. Nos. MR 987 / Ma 442. Paris, Louvre Museum. | |
| 4166. SCULPTURE. Rome. Sosibios vase. Pentelic marble. Neo-attic work ca. 50 BCE. Inv. Nos. MR 987 / Ma 442. Paris, Louvre Museum. | |
| 4167. SCULPTURE. Rome. Athena (so-called “Athena Mattei”). Parian marble. Roman (?) copy ca. 100 BCE after a Greek bronze model of the 4th cent. BCE attributed to Euphranor. Inv. No. Ma 530 (LL 300). Paris, Louvre Museum. | |
| 4168. SCULPTURE. Rome. Athena (so-called “Athena Mattei”). Parian marble. Roman (?) copy ca. 100 BCE after a Greek bronze model of the 4th cent. BCE attributed to Euphranor. Inv. No. Ma 530 (LL 300). Paris, Louvre Museum. | |
| 4169. SCULPTURE. Rome. Athena (so-called “Athena Mattei”). Parian marble. Roman (?) copy ca. 100 BCE after a Greek bronze model of the 4th cent. BCE attributed to Euphranor. Inv. No. Ma 530 (LL 300). Paris, Louvre Museum. | |
| 4170. SCULPTURE. Greece. Orpheus, Eurydice and Hermes. Relief. Greek copy of ca. 50 BCE from a Greek original of 430-420 BCE. Penthelic marble. Inv. No. Mr 702 (Ma 854). Paris, Louvre Museum. | |
| 4171. SCULPTURE. Rome. Orpheus, Eurydice and Hermes. Relief. Roman copy of the augustan age from a Greek original of the second half of 5th cent. BCE by Alcamenes, disciple of Phidias. Marble. Inv. No. 6727. Naples, National Archaeological Museum. | |
| 4172. GLYPTICS. Rome. Intaglio “Emperor Commodus hunting”. Onyx nicolo. Rome, ca. 190 CE. Paris, National Library of France, Cabinet of Medals. | |
| 4173. GLYPTICS. Rome. Intaglio “Goddess Roma holding Victory”. Onyx nicolo. Rome, ca. 330 CE. Paris, National Library of France, Cabinet of Medals. | |
| 4174. SCULPTURE. Greece. Venus of Milo. Parian marble. 130—100 BCE. Inv. No. Ma 399. Paris, Louvre Museum. | |
| 4175. SCULPTURE. Rome. Venus of Milo. Parian marble. 130—100 BCE. Inv. No. Ma 399. Paris, Louvre Museum. | |
| 4176. SCULPTURE. Rome. Venus of Milo. Parian marble. 130—100 BCE. Inv. No. Ma 399. Paris, Louvre Museum. | |
| 4177. SCULPTURE. Greece. Venus of Milo. Parian marble. 130—100 BCE. Inv. No. Ma 399. Paris, Louvre Museum. | |
| 4178. SCULPTURE. Greece. Venus of Milo (close-up). Marble. 2nd century BCE. Inv. No. Ma 399. Paris, Louvre Museum. | |
| 4179. SCULPTURE. Greece. Venus of Milo. Parian marble. 130—100 BCE. Inv. No. Ma 399. Paris, Louvre Museum. | |
| 4180. SCULPTURE. Greece. Venus of Milo. Parian marble. 130—100 BCE. Inv. No. Ma 399. Paris, Louvre Museum. | |