ANCIENT ART

Photographer: Ilya Shurygin (3426 photo)
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3321. SCULPTURE. Rome.
Sacrifice (close-up).
A scene from a cycle “Adoption” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Vienna, Ephesos Museum.
3322. SCULPTURE. Rome.
Lucius Verus as Mars (?).
Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Vienna, Ephesos Museum.
3323. SCULPTURE. Rome.
Lucius Verus as Mars (?).
Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Vienna, Ephesos Museum.
3324. SCULPTURE. Rome.
Lucius Verus as Mars (?). Detail.
Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Vienna, Ephesos Museum.
3325. SCULPTURE. Rome.
Two slabs of the lower (decorative) register of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos.
After 169 (166?) CE.
Vienna, Ephesos Museum.
3326. SCULPTURE. Rome.
Mounting marks on the adjacent slabs of the lower (decorative) register of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos.
After 169 (166?) CE.
Vienna, Ephesos Museum.
3327. SCULPTURE. Rome.
Personifications of Cities: Ktesiphon and Seleukia (?), with a River God.
Scene from a cycle “Personifications of Cities of Roman Empire” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos.
After 169 (166?) CE.
Vienna, Ephesos Museum.
3328. SCULPTURE. Rome.
River god (a close-up of relief “Personifications of Cities: Ktesiphon and Seleukia(?), with a River God”.
Scene from a cycle “Personifications of Cities of Roman Empire” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos.
After 169 (166?) CE.
Vienna, Ephesos Museum.
3329. SCULPTURE. Rome.
Apoxyomenos (athlete scraping his body with a strigil).
Bronze. Roman copy of a bronze original by Polykleitos ca. 320 BCE.
Inv. No. 129.
Vienna, Ephesos Museum.
3330. SCULPTURE. Rome.
Apoxyomenos (athlete scraping his body with a strigil).
Bronze. Roman copy of a bronze original by Polykleitos ca. 320 BCE.
Inv. No. 129.
Vienna, Ephesos Museum.
3331. SCULPTURE. Rome.
Apoxyomenos (athlete scraping his body with a strigil).
Bronze. Roman copy of a bronze original by Polykleitos ca. 320 BCE.
Inv. No. 129.
Vienna, Ephesos Museum.
3332. SCULPTURE. Rome.
Wounded Parthian general on horseback. Scene from a cycle “Parthian war” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Inv. No. 858.
Vienna, Ephesos Museum.
3333. SCULPTURE. Rome.
Apotheosis of Lucius Verus.
Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Inv. No. I 867.
Vienna, Ephesos Museum.
3334. SCULPTURE. Rome.
Apotheosis of Lucius Verus (detail).
Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Inv. No. I 867.
Vienna, Ephesos Museum.
3335. SCULPTURE. Rome.
Apotheosis of Lucius Verus (detail).
Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Inv. No. I 867.
Vienna, Ephesos Museum.
3336. SCULPTURE. Rome.
Trajan.
Marble. Ca. 108 CE.
Vienna, Museum of Art History.
3337. GLYPTICS. Rome.
“The Gemma Augustea”.
Onyx. Ca. 12—7 BCE.
Vienna, Museum of Art History.
3338. GLYPTICS. Rome.
“The Gemma Augustea”. The upper register.
Onyx. Ca. 12—7 BCE.
Vienna, Museum of Art History.
3339. GLYPTICS. Rome.
“The Gemma Augustea”. The lower register.
Onyx. Ca. 12—7 BCE.
Vienna, Museum of Art History.
3340. SCULPTURE. Rome.
Sarcophagus of the Muses.
White marble.
Rome, 180—200 CE.
Vienna, Museum of Art History.
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