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3381. SCULPTURE. Rome. Mounting marks on the adjacent slabs of the lower (decorative) register of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Vienna, Ephesos Museum.
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3382. SCULPTURE. Rome. Personifications of Cities: Ktesiphon and Seleukia (?), with a River God.
Scene from a cycle “Personifications of Cities of Roman Empire” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE.
Vienna, Ephesos Museum.
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3383. SCULPTURE. Rome. River god (a close-up of relief “Personifications of Cities: Ktesiphon and Seleukia(?), with a River God”.
Scene from a cycle “Personifications of Cities of Roman Empire” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE.
Vienna, Ephesos Museum.
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3384. SCULPTURE. Rome. Apoxyomenos (athlete scraping his body with a strigil).
Bronze. Roman copy of a bronze original by Polykleitos ca. 320 BCE.
Inv. No. 129. Vienna, Ephesos Museum.
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3385. SCULPTURE. Rome. Apoxyomenos (athlete scraping his body with a strigil).
Bronze. Roman copy of a bronze original by Polykleitos ca. 320 BCE.
Inv. No. 129. Vienna, Ephesos Museum.
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3386. SCULPTURE. Rome. Apoxyomenos (athlete scraping his body with a strigil).
Bronze. Roman copy of a bronze original by Polykleitos ca. 320 BCE.
Inv. No. 129. Vienna, Ephesos Museum.
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3387. SCULPTURE. Rome. Wounded Parthian general on horseback. Scene from a cycle “Parthian war” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Inv. No. 858. Vienna, Ephesos Museum.
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3388. SCULPTURE. Rome. Apotheosis of Lucius Verus.
Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE.
Inv. No. I 867. Vienna, Ephesos Museum.
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3389. SCULPTURE. Rome. Apotheosis of Lucius Verus (detail).
Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE.
Inv. No. I 867. Vienna, Ephesos Museum.
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3390. SCULPTURE. Rome. Apotheosis of Lucius Verus (detail).
Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE.
Inv. No. I 867. Vienna, Ephesos Museum.
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3391. SCULPTURE. Rome. Trajan.
Marble. Ca. 108 CE.
Vienna, Museum of Art History.
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3392. GLYPTICS. Rome. “The Gemma Augustea”.
Onyx. Ca. 12—7 BCE.
Vienna, Museum of Art History.
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3393. GLYPTICS. Rome. “The Gemma Augustea”. The upper register.
Onyx. Ca. 12—7 BCE.
Vienna, Museum of Art History.
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3394. GLYPTICS. Rome. “The Gemma Augustea”. The lower register.
Onyx. Ca. 12—7 BCE.
Vienna, Museum of Art History.
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3395. SCULPTURE. Rome. Sarcophagus of the Muses.
White marble. Rome, 180—200 CE.
Vienna, Museum of Art History.
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3396. SCULPTURE. Rome. Sarcophagus of the Muses. Detail: Athena with an owl and a snake.
White marble. Rome, 180—200 CE.
Vienna, Museum of Art History.
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3397. SCULPTURE. Rome. Sarcophagus of the Muses. Detail: Erato.
White marble. Rome, 180—200 CE.
Vienna, Museum of Art History.
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3398. SCULPTURE. Rome. Sarcophagus of the Muses. Detail: Terpsichore and Thalia.
White marble. Rome, 180—200 CE.
Vienna, Museum of Art History.
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3399. SCULPTURE. Rome. An unknown woman.
Marble. Early 3rd century CE.
Inv. No. AS 194. Vienna, Museum of Art History.
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3400. SCULPTURE. Rome. Faustina the Elder.
Marble. Mid-2nd century.
Inv. No. AS I 12. Vienna, Museum of Art History.
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