|
1. SCULPTURE. Rome. Campana relief. Terracotta. 1st century CE. | |
2. SCULPTURE. Rome. Olympic gods awaiting the arrival of the emperor. From left to right: Hercules, Minerva, Bacchus, Jupiter, Ceres, Juno, Mercury. Marble. 114—117 CE. Benevento, Arch of Trajan. | |
3. SCULPTURE. Rome. Olympic gods awaiting the arrival of the emperor. From left to right: Hercules, Minerva, Bacchus, Jupiter, Ceres, Juno, Mercury. Marble. 114—117 CE. Benevento, Arch of Trajan. | |
4. SCULPTURE. Rome. Sarcophagus with a scene of the rape of Persephone (the front side). Fine-grained marble (possibly Italic). 160—180 CE. Inv. No. 86. Florence, Uffizi Gallery. | |
5. SCULPTURE. Rome. Sarcophagus with a scene of the rape of Persephone (the left short side panel). Fine-grained marble (possibly Italic). 160—180 CE. Inv. No. 86. Florence, Uffizi Gallery. | |
6. SCULPTURE. Rome. Sitting Hermes. Bronze. Inv. No. 5625. Naples, National Archaeological Museum. | |
7. SCULPTURE. Rome. Sitting Hermes. Bronze. Inv. No. 5625. Naples, National Archaeological Museum. | |
8. SCULPTURE. Rome. Sitting Hermes. Bronze. Inv. No. 5625. Naples, National Archaeological Museum. | |
9. PAINTING, GRAPHICS. Rome. Io, Argus and Hermes. Fresco of the 4th style. 60—79 CE. Inv. No. 9548. Naples, National Archaeological Museum. | |
10. PAINTING, GRAPHICS. Rome. Judgment of Paris. Fresco of the 4th style from Pompeii (V. 2. 15). 45—79 CE. Inv. No. 119691. Naples, National Archaeological Museum. | |
11. PAINTING, GRAPHICS. Rome. Origin of Rome. Fresco from Pompeii. 35—45 CE. Inv. No. s. n. (senza numero, no number). Naples, National Archaeological Museum, Hall LXXIII. | |
12. SCULPTURE. Rome. Sarcophagus with scenes of the myth of Protesilaus and Laodamia. The frontal panel. Marble. Late 2nd century CE. Naples, Santa Chiara Church. | |
13. SCULPTURE. Rome. Sarcophagus with scenes of the myth of Protesilaus and Laodamia. “Laodamia meets Protesilaus”. The front panel. Marble. Late 2nd century CE. Naples, Santa Chiara Church. | |
14. SCULPTURE. Rome. Sarcophagus with scenes of the myth of Protesilaus and Laodamia. Right side panel. Marble. Late 2nd century CE. Naples, Santa Chiara Church. | |
15. MOSAIC. Greece. Dionysos’ childhood. Cyprus, the House of Aion. Mid-4th cent. CE. Paphos, Archaeological Park. | |
16. SCULPTURE. Rome. Hermes tying his sandal, so-called “Iason”. Marble. Roman copy after a Greek original by Lysippos of the 4th century BCE. Inv. No. MR 238. Paris, Louvre Museum. | |
17. SCULPTURE. Rome. Hermes fastening his sandal, so-called “Cincinnatus”. Pentelic marble. Roman copy of the 2nd cent. CE after a Greek original by Lysippos of the 4th century BCE. Inv. Nos. MR 238 / Ma 83. Paris, Louvre Museum. | |
18. SCULPTURE. Rome. Hermes fastening his sandal, so-called “Cincinnatus”. Pentelic marble. Roman copy of the 2nd cent. CE after a Greek original by Lysippos of the 4th century BCE. Inv. Nos. MR 238 / Ma 83. Paris, Louvre Museum. | |
19. SCULPTURE. Rome. Hermes fastening his sandal, so-called “Cincinnatus”. Pentelic marble. Roman copy of the 2nd cent. CE after a Greek original by Lysippos of the 4th century BCE. Inv. Nos. MR 238 / Ma 83. Paris, Louvre Museum. | |
20. SCULPTURE. Rome. Hermes fastening his sandal, so-called “Cincinnatus”. Pentelic marble. Roman copy of the 2nd cent. CE after a Greek original by Lysippos of the 4th century BCE. Inv. Nos. MR 238 / Ma 83. Paris, Louvre Museum. | |