[1] ... [44] [45] [46] [47] [48] [49] [50] [51] [52] ... [184] |
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941. SCULPTURE. Rome. Publius Cornelius Scipio Africanus.
Bronze.
Inv. No. 5634. Naples, National Archaeological Museum.
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942. SCULPTURE. Rome. Publius Cornelius Scipio Africanus.
Bronze.
Inv. No. 5634. Naples, National Archaeological Museum.
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943. SCULPTURE. Rome. Hercules at rest (the Farnese-Pitti type).
Marble. Roman work of the late 2nd — early 3rd cent. CE after a bronze original by Lysippos of the second half of the 4th century BCE.
Inv. No. 6001. Naples, National Archaeological Museum.
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944. SCULPTURE. Rome. Hercules at rest (the Farnese-Pitti type).
Marble. Roman work of the late 2nd — early 3rd cent. CE after a bronze original by Lysippos of the second half of the 4th century BCE.
Inv. No. 6001. Naples, National Archaeological Museum.
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945. SCULPTURE. Rome. Hercules at rest (the Farnese-Pitti type).
Marble. Roman work of the late 2nd — early 3rd cent. CE after a bronze original by Lysippos of the second half of the 4th century BCE.
Inv. No. 6001. Naples, National Archaeological Museum.
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946. SCULPTURE. Rome. Hercules at rest (the Farnese-Pitti type).
Marble. Roman work of the late 2nd — early 3rd cent. CE after a bronze original by Lysippos of the second half of the 4th century BCE.
Inv. No. 6001. Naples, National Archaeological Museum.
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947. SCULPTURE. Rome. Hercules at rest (the Farnese-Pitti type).
Marble. Roman work of the late 2nd — early 3rd cent. CE after a bronze original by Lysippos of the second half of the 4th century BCE.
Inv. No. 6001. Naples, National Archaeological Museum.
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948. SCULPTURE. Rome. Hercules at rest (the Farnese-Pitti type). Detail: the signature of the sculptor-copyist Glykon.
Marble. Roman work of the late 2nd — early 3rd cent. CE after a bronze original by Lysippos of the second half of the 4th century BCE.
Inv. No. 6001. Naples, National Archaeological Museum.
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949. SCULPTURE. Rome. Group with the torment of Dirce (the “Farnese Bull”).
Fine-grained yellowish white marble, Asian (ancient parts). Roman copy of the end of 2nd — early 3rd cent. CE after a Hellenistic work of 160—50 BCE.
Inv. No. 6002. Naples, National Archaeological Museum.
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950. SCULPTURE. Rome. Group with the torment of Dirce (the “Farnese Bull”).
Fine-grained yellowish white marble, Asian (ancient parts). Roman copy of the end of 2nd — early 3rd cent. CE after a Hellenistic work of 160—50 BCE.
Inv. No. 6002. Naples, National Archaeological Museum.
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951. SCULPTURE. Rome. Group with the torment of Dirce (the “Farnese Bull”).
Fine-grained yellowish white marble, Asian (ancient parts). Roman copy of the end of 2nd — early 3rd cent. CE after a Hellenistic work of 160—50 BCE.
Inv. No. 6002. Naples, National Archaeological Museum.
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952. SCULPTURE. Rome. Group with the torment of Dirce (the “Farnese Bull”).
Fine-grained yellowish white marble, Asian (ancient parts). Roman copy of the end of 2nd — early 3rd cent. CE after a Hellenistic work of 160—50 BCE.
Inv. No. 6002. Naples, National Archaeological Museum.
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953. SCULPTURE. Rome. Group with the torment of Dirce (the “Farnese Bull”): Antiope.
Fine-grained yellowish white marble, Asian (ancient parts). Roman copy of the end of 2nd — early 3rd cent. CE after a Hellenistic work of 160—50 BCE.
Inv. No. 6002. Naples, National Archaeological Museum.
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954. SCULPTURE. Rome. Group with the torment of Dirce (the “Farnese Bull”): shepherd.
Fine-grained yellowish white marble, Asian (ancient parts). Roman copy of the end of 2nd — early 3rd cent. CE after a Hellenistic work of 160—50 BCE.
Inv. No. 6002. Naples, National Archaeological Museum.
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955. SCULPTURE. Rome. Group with the torment of Dirce (the “Farnese Bull”): Dirce.
Fine-grained yellowish white marble, Asian (ancient parts). Roman copy of the end of 2nd — early 3rd cent. CE after a Hellenistic work of 160—50 BCE.
Inv. No. 6002. Naples, National Archaeological Museum.
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956. SCULPTURE. Rome. Graphic reconstruction of restorations of the group with the torment of Dirce known as the “Farnese Bull”.
Fine-grained yellowish white marble, Asian (ancient parts). Roman copy of the end of 2nd — early 3rd cent. CE after a Hellenistic work of 160—50 BCE.
Inv. No. 6002. Naples, National Archaeological Museum.
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957. SCULPTURE. Rome. Athena promachos.
Marble. Probably a Roman copy of a Greek statue of the 5th cent. BCE or of a Hellenistic original of the 2nd cent. BCE.
Inv. No. 6007. Naples, National Archaeological Museum.
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958. SCULPTURE. Rome. Athena promachos.
Marble. Probably a Roman copy of a Greek statue of the 5th cent. BCE or of a Hellenistic original of the 2nd cent. BCE.
Inv. No. 6007. Naples, National Archaeological Museum.
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959. SCULPTURE. Rome. Athena promachos.
Marble. Probably a Roman copy of a Greek statue of the 5th cent. BCE or of a Hellenistic original of the 2nd cent. BCE.
Inv. No. 6007. Naples, National Archaeological Museum.
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960. SCULPTURE. Rome. Statuary group of the Tyrannicides (Harmodius and Aristogeiton).
Marble. Roman copy of the 2nd century CE after a Kritios and Nesiotes model of 477—476 BCE.
Inv. Nos. 6009 / 6010. Naples, National Archaeological Museum.
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