
Marble. Late 2nd century CE. Naples, Santa Chiara ChurchPhoto by Ilya Shurygin
Sarcophagus with scenes of the myth of Protesilaus and Laodamia.
Marble. Late 2nd century CE.
Naples, Santa Chiara Church.
Between the figures of the spouses, a small winged Eros raises his right hand in a farewell gesture.
The source of the plot for this relief was probably Pseudo-Apollodorus’s "Epitome" (E. IV 3. 30), which tells us that "...when he (Protesilaus) was led back to Hades, she (Laodamia) committed suicide." The original text does not contain a direct indication of the method of Laodamia’s suicide (ἑαυτὴν ἐφόνευσεν), however, the verb φονεύωused by the author is more often applied to denote bloody methods of killing (slaughter, bloodshed). This is precisely how the ancient author of the relief envisioned Laodamia’s suicide, and it is this connotation of φονεύω that the renowned British religious scholar J.G. Frazer chose when translating Apollodorus’s "Library" into English ("...she stabbed herself to death").
Oliverio G., Il sarcofago di Protesilao e Laodamia della chiesa di S. Chiara in Napoli (Cappella Sanfelice Bagnoli), in A. V. Sumbolae Litterariae in honorem Iulii de Petra, Napoli 1911. P. 303-319.
Apollodorus The Library. Translated by J. G. Frazer.