1—50 CE.
247 × 120 cm. Inv. No. 70.AG.91.Los Angeles, John Paul Getty Museum, Getty Villa in Malibu
Philosopher talking with a woman.
1—50 CE.
247 × 120 cm.
Los Angeles, John Paul Getty Museum, Getty Villa in Malibu.
Since 1906 — Giovanna Zurlo-Pulzella (Boscoreale, Italy), excavated on the family property in 1906.
by 1968 — 1970 — Elie Borowski, Polish, 1913—
The Villa of Numerius Popidius Florus was built in the early first century B.C., and underwent several modifications before it was destroyed by the volcanic eruption of Mount Vesuvius in A.D. 79. A variety of objects were found in Room 4, including bronze vessels, lamps, agricultural tools and the remains of iron weaponry, suggesting that it was used for storage by the time of the eruption. Two marble plaques found in the central courtyard reveal the name of the owner, who came from a well-established family in Pompeii. In contrast to the urban houses of Pompeii and the seaside villas overlooking the Bay of Naples, however, the country estates (or villae rusticae) of Boscoreale were working farms. The estate of Numerius Popidius Florus produced wine, which was stored in large jars partially buried in the courtyard. The house itself was richly decorated with frescoes and mosaics and had a small bath complex. Excavated in 1905—
Della Corte, M. “Scavi eseguiti da privati nel territorio Pompeiano”, Notizie degli Scavi 1921, pp. 415—
Lehmann-Hartleben, Karl. “Archaeologische Funde in den Jahren 1921—
Schefold, Karl. “Lachendes Pompeji”, Gymnasium 67 (1960), pp. 90—
Schefold, Karl. Vergessenes Pompeji. Bern: 1962, p. 95; pl. 172, 1.
Vermeule, Cornelius, and Norman Neuerberg. Catalogue of the Ancient Art in the J. Paul Getty Museum (Malibu: J. Paul Getty Museum, 1973), pp. 42—
Fredericksen, Burton B., Jiří Frel, and Gillian Wilson. Guidebook: The J. Paul Getty Museum. 4th ed. Sandra Morgan, ed. (Malibu: J. Paul Getty Museum, 1978), p. 41.
Oettel, A. Fundkontexte romischer Vesuvvillen im Gebiet um Pompeji. Die Grabungen von 1894 bis 1908. (Philipp von Zabern: Mainz, 1996), pp. 250—
Digital image courtesy of the Getty’s Open Content Program.