RussianTHE GALLERY OF ANCIENT ART
| 3221. ARCHITECTURE. Southern Italy. Amphitheatre of Campania. Key-stones of arches. 1st cent. BCE. Santa Maria Capua Vetere, Amphitheatre of Campania. | |
| 3222. ARCHITECTURE. Southern Italy. Amphitheatre of Campania 1st cent. BCE. Santa Maria Capua Vetere, Amphitheatre of Campania. | |
| 3223. ARCHITECTURE. Southern Italy. Amphitheatre of Campania 1st cent. BCE. Santa Maria Capua Vetere, Amphitheatre of Campania. | |
| 3224. ARCHITECTURE. Southern Italy. Amphitheatre of Campania 1st cent. BCE. Santa Maria Capua Vetere, Amphitheatre of Campania. | |
| 3225. MILITARY ART. Rome. Scale model (1:30) of the works built by Caesar for tha assault on the city of Avaricum (Bourges, France). 52 BCE. Plastic. Inv. No. MCR 213. Rome, Museum of Roman Civilization. | |
| 3226. MILITARY ART. Rome. Scale model (1:30) of the works built by Caesar for tha assault on the city of Avaricum (Bourges, France). 52 BCE. Plastic. Inv. No. MCR 213. Rome, Museum of Roman Civilization. | |
| 3227. MILITARY ART. Rome. Scale model (1:15) of a suspension-type battering ram, used to breach enemy’s walls and operated with ropes. Inv. No. MCR 196. Rome, Museum of Roman Civilization. | |
| 3228. MILITARY ART. Rome. Scale model (1:15) of a suspension-type battering ram, used to breach enemy’s walls and operated with ropes. Inv. No. MCR 196. Rome, Museum of Roman Civilization. | |
| 3229. OTHER. Rome. Plaster cast of body of a victim of Vesuvius eruption of 79 CE. Pompeii. | |
| 3230. OTHER. Rome. Plaster cast of body of a victim of Vesuvius eruption of 79 CE. Pompeii. | |
| 3231. OTHER. Rome. Plaster cast of body of a victim of Vesuvius eruption of 79 CE. Pompeii. | |
| 3232. SCULPTURE. Rome. Hercules at rest (the Farnese-Pitti type). Detail: the signature of the sculptor-copyist Glykon. Marble. Roman work of the late 2nd — early 3rd cent. CE after a bronze original by Lysippos of the second half of the 4th century BCE. Inv. No. 6001. Naples, National Archaeological Museum. | |
| 3233. SCULPTURE. Rome. Hercules at rest (the Farnese-Pitti type). Marble. Roman work of the late 2nd — early 3rd cent. CE after a bronze original by Lysippos of the second half of the 4th century BCE. Inv. No. 6001. Naples, National Archaeological Museum. | |
| 3234. SCULPTURE. Rome. Hercules at rest (the Farnese-Pitti type). Marble. Roman work of the late 2nd — early 3rd cent. CE after a bronze original by Lysippos of the second half of the 4th century BCE. Inv. No. 6001. Naples, National Archaeological Museum. | |
| 3235. SCULPTURE. Rome. Hercules at rest (the Farnese-Pitti type). Marble. Roman work of the late 2nd — early 3rd cent. CE after a bronze original by Lysippos of the second half of the 4th century BCE. Inv. No. 6001. Naples, National Archaeological Museum. | |
| 3236. SCULPTURE. Rome. Hercules at rest (the Farnese-Pitti type). Marble. Roman work of the late 2nd — early 3rd cent. CE after a bronze original by Lysippos of the second half of the 4th century BCE. Inv. No. 6001. Naples, National Archaeological Museum. | |
| 3237. SCULPTURE. Rome. Hercules at rest (the Farnese-Pitti type). Marble. Roman work of the late 2nd — early 3rd cent. CE after a bronze original by Lysippos of the second half of the 4th century BCE. Inv. No. 6001. Naples, National Archaeological Museum. | |
| 3238. INSCRIPTIONS. Rome. Funeral inscription of freedmen Quintus Curtius Antiochus and Maecilia Areta. 1—200 CE. BCAR. 1915. 228. Rome, Municipal Antiquarium on the Caelian Hill. | |
| 3239. INSCRIPTIONS. Rome. Funeral inscription of gladiator-mirmillo Paratus. 1—100 CE. EAOR. 1. 76 = AE. 1989. 74. Rome, Municipal Antiquarium on the Caelian Hill. | |
| 3240. PAINTING, GRAPHICS. Rome. Portrait of the baker Terentius Neo and his wife. Fresco of the Fourth style from Pompeii. Inv. No. 9058. Naples, National Archaeological Museum. | |