RussianTHE GALLERY OF ANCIENT ART
| 3821. INSCRIPTIONS. Rome. Inscription praising the consul Gaius Duilius who defeated the Carthaginians at the battle of Mylae (Milazzo, Sicily) in 260 BCE. Augustan age (27 BCE — 14 CE). Copy. CIL VI 40952 = Inscr. It. XIII2 13 = ILS 55. Inv. No. MCR 120. Rome, Museum of Roman Civilization. | |
| 3822. SCULPTURE. Greece. Polydeukion, disciple and favourite of Herodes Atticus. Pentelic marble. 140-150 CE. Inv. No. 4811. Corinth, Archaeological Museum of Ancient Corinth. | |
| 3823. SCULPTURE. Greece. Polydeukion, disciple and favourite of Herodes Atticus. Pentelic marble. 140-150 CE. Inv. No. 4811. Athens, National Archaeological Museum. | |
| 3824. SCULPTURE. Greece. Polydeukion, disciple and favourite of Herodes Atticus. Pentelic marble. 140-150 CE. Inv. No. 4811. Athens, National Archaeological Museum. | |
| 3825. SCULPTURE. Greece. Herodes Atticus. Pentelic marble. Mid-2nd cent. CE. Inv. No. 4810. Athens, National Archaeological Museum. | |
| 3826. SCULPTURE. Greece. Herodes Atticus. Pentelic marble. Mid-2nd cent. CE. Inv. No. 4810. Athens, National Archaeological Museum. | |
| 3827. SCULPTURE. Greece. Herodes Atticus. Pentelic marble. Mid-2nd cent. CE. Inv. No. 4810. Athens, National Archaeological Museum. | |
| 3828. SCULPTURE. Greece. The Mourning Athene. Parian marble. 470—460 BCE. Inv. No. 695. Athens, New Acropolis Museum. | |
| 3829. SCULPTURE. Greece. Female portrait. Fragment from a funerary monument. Marble. Patras. Augustan period. Patras, New Archaeological Museum. | |
| 3830. SCULPTURE. Greece. Female portrait. Fragment from a funerary monument. Marble. Patras. Augustan period. Patras, New Archaeological Museum. | |
| 3831. SCULPTURE. Greece. Female portrait. Fragment from a funerary monument. Marble. Patras. Augustan period. Patras, New Archaeological Museum. | |
| 3832. SCULPTURE. Greece. Grave stele of gladiator Trypheros. Marble. Patras. 2nd—3rd centuries CE. Inv. No. 191. Patras, New Archaeological Museum. | |
| 3833. SCULPTURE. Greece. Base of a statue with a depiction of training of gladiators. Marble. Late 1st — early 2nd cent. CE. Inv. No. 1915. Patras, New Archaeological Museum. | |
| 3834. SCULPTURE. Rome. Athena Parthenos (close up). Roman copy of Pheidias’ work. Inv. No. 53. Patras, New Archaeological Museum. | |
| 3835. SCULPTURE. Rome. Athena Parthenos. Roman copy of Pheidias’ work. Inv. No. 53. Patras, New Archaeological Museum. | |
| 3836. SCULPTURE. Greece. Base of a dedication statue with a depiction of Pyrrhic dance. Marble. 329—323 BCE. Inv. No. Acr. 1338. Athens, New Acropolis Museum. | |
| 3837. SCULPTURE. Greece. Nude ephebe (so-called “Kritios Boy”) — close up. Marble. After 480 BCE. Inv. No. Acr. 698. Athens, New Acropolis Museum. | |
| 3838. SCULPTURE. Greece. Nude ephebe (so-called “Kritios Boy”). Marble. After 480 BCE. Inv. No. Acr. 698. Athens, New Acropolis Museum. | |
| 3839. SCULPTURE. Greece. Nude ephebe (so-called “Kritios Boy”). Marble. After 480 BCE. Inv. No. Acr. 698. Athens, New Acropolis Museum. | |
| 3840. SCULPTURE. Greece. Nude ephebe (so-called “Kritios Boy”). Marble. After 480 BCE. Inv. No. Acr. 698. Athens, New Acropolis Museum. | |