THE GALLERY OF ANCIENT ART

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	461. PAINTING, GRAPHICS. Rome. Scenes of a dyeing shop (fullonica). Pillar with frescoes from Pompeii, the Fullery of Lucius Veranius Hypsaeus (VI. 8. 20). Fourth style. 50—79 CE. Painting by Giuseppe Marsigli (1795 — ca. 1835). Tempera. 1826. Inv. No. 9774. Naples, National Archaeological Museum.
	462. PAINTING, GRAPHICS. Rome. Scenes of a dyeing shop (fullonica). Pillar with frescoes from Pompeii, the Fullery of Lucius Veranius Hypsaeus (VI. 8. 20). Fourth style. 50—79 CE. Inv. No. 9774. Naples, National Archaeological Museum.
	463. INSCRIPTIONS. Rome. Graffito on the facade of the House of Marcus Fabius Ululitremulus on the via dell’Abbondanza in Pompeii. 76—79 CE. CIL IV 9131 = CLE 1936 = Epigraphica-1940-175 = GraffPomp 954. Pompeii, Archaeological Park, House of Marcus Fabius Ululitremulus (IX. 13. 5).
	464. INSCRIPTIONS. Rome. An electoral campaign notice on the facade of the House of Marcus Fabius Ululitremulus on the via dell’Abbondanza in Pompeii shortly after excavations. 76—79 CE. CIL IV 7963. Pompeii, Archaeological Park, House of Marcus Fabius Ululitremulus (IX. 13. 5).
	465. ARCHITECTURE. Rome. Facade of the House of Marcus Fabius Ululitremulus on the via dell’Abbondanza in Pompeii in 2013. 1st cent. CE. Pompeii, Archaeological Park, House of Marcus Fabius Ululitremulus (IX. 13. 5).
	466. PAINTING, GRAPHICS. Rome. Aeneas escaping from Troy with his father Anchises and juvenile son Ascanius. Facade of the House of Marcus Fabius Ululitremulus on the via dell’Abbondanza in Pompeii immediately after excavation. 1st cent. CE. Pompeii, Archaeological Park, House of Marcus Fabius Ululitremulus (IX. 13. 5).
	467. PAINTING, GRAPHICS. Rome. Romulus carrying a trophy. Facade of the House of Marcus Fabius Ululitremulus on the via dell’Abbondanza in Pompeii immediately after excavation. 69—79 CE. Pompeii, Archaeological Park, House of Marcus Fabius Ululitremulus (IX. 13. 5).
	468. PAINTING, GRAPHICS. Rome. Romulus carrying a trophy. Facade of the House of Marcus Fabius Ululitremulus on the via dell’Abbondanza in Pompeii immediately after excavation. 1st cent. CE. Pompeii, Archaeological Park, House of Marcus Fabius Ululitremulus (IX. 13. 5).
	469. PAINTING, GRAPHICS. Rome. Facade of the House of Marcus Fabius Ululitremulus on the via dell’Abbondanza in Pompeii shortly after excavations. 1st cent. CE. Pompeii, Archaeological Park, House of Marcus Fabius Ululitremulus (IX. 13. 5).
	470. PAINTING, GRAPHICS. Rome. Facades with the entrances of houses 4, 5, 6 of Insula 13 on the via dell’Abbondanza in Pompeii shortly after excavation. 1st cent. CE. Pompeii, Archaeological Park, IX. 13. 4—6.
	471. PAINTING, GRAPHICS. Rome. Theseus and Ariadne. Fresco from Pompeii (VII. 4. 31/51). 45—79 CE. Inv. No. 9052. Naples, National Archaeological Museum, Hall LXXIII.
	472. CERAMICS. Southern Italy. Two youths. Red-figured bell krater. Apulia. Clay. Attributed to the Tarporley Painter. Ca. 410—390 BCE. Inv. Nos. ex L.63.21.5 / ex L.1988.81.4 / ex 3985. Chicago, Art Institute.
	473. CERAMICS. Southern Italy. Young Dionysus and Pan. Red-figured bell krater. Apulia. Clay. Attributed to the Tarporley Painter. Ca. 410—390 BCE. Inv. Nos. ex L.63.21.5 / ex L.1988.81.4 / ex 3985. Chicago, Art Institute.
	474. CERAMICS. Southern Italy. A girl and two boys. Red-figured calyx krater. Apulia. Clay. Attributed to the Painter of Athens 1714. Ca. 375—350 BCE. Inv. Nos. ex L.63.21.6 / ex L.1988.81.5 / ex 2351. Chicago, Art Institute.
	475. CERAMICS. Southern Italy. Feasting Dionysus. Red-figured calyx krater. Apulia. Clay. Attributed to the Painter of Athens 1714. Ca. 375—350 BCE. Inv. Nos. ex L.63.21.6 / ex L.1988.81.5 / ex 2351. Chicago, Art Institute.
	476. CERAMICS. Greece. Linked palmettes in the handle zone. Large red-figured stamnos. Attic. Clay. Attributed to the Phiale Painter. Ca. 440 BCE. Sotheby’s Auction House, New York.
	477. CERAMICS. Greece. Satyr and Maenads. Large red-figured stamnos. Attic. Clay. Attributed to the Phiale Painter. Ca. 440 BCE. Sotheby’s Auction House, New York.
	478. CERAMICS. Greece. Dionysus and Maenads. Large red-figured stamnos. Attic. Clay. Attributed to the Phiale Painter. Ca. 440 BCE. Sotheby’s Auction House, New York.
	479. TOREUTICS. Asia. Bowl with the image of Ganymede and the eagle. Silver. Elymais. Ca. 2nd cent. CE. Christie’s Fine Art Auction House, London.
	480. ADORNMENTS. Greece. Bracelet with bust of Dionysus. Silver. Greece. Hellenistic period, 2nd—1st cent. BCE. Christie’s Fine Art Auction House, London.
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