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[1] [2] [3] [4] [5] [6] [7] ... [23] |
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61. GLYPTICS. Rome. Octavian.
Sardonyx-onyx.
Inv. No. 25876. Naples, National Archaeological Museum.
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62. GLYPTICS. Rome. The “Cameo of Augustus”.
Carver agate. Beginning of the 1st cent. CE.
Paris, Louvre Museum.
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63. GLYPTICS. Rome. “Cameo of Tiberius” (“Big cameo of France”).
Sardonyx. 37 CE.
Inv. No. Camee. 264. Paris, National Library of France, Cabinet of Medals.
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64. GLYPTICS. Rome. “Cameo of Tiberius” (so-called “Great Cameo of France”).
Five-layered sardonyx. Ca. 23 CE.
Inv. No. Camee. 264. Paris, National Library of France, Cabinet of Medals.
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65. GLYPTICS. Rome. “Cameo of Tiberius” (so-called “Great Cameo of France”).
The upper register.
Five-layered sardonyx. Ca. 23 CE.
Inv. No. Camee. 264. Paris, National Library of France, Cabinet of Medals.
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66. GLYPTICS. Rome. Augustus.
On the back is a bust of a Negro, carved in the Renaissance. Sardonyx. Rome. 1st century BCE.
Inv. No. K-4938. Saint Petersburg, State Hermitage Museum.
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67. GLYPTICS. Rome. August, Livia and Nero.
Sardonyx. Rome. 1st century.
Inv. Nos. ГР-12537 / Ж 149. Saint Petersburg, State Hermitage Museum.
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68. GLYPTICS. Rome. August, Livia and Nero.
Sardonyx. Mid-1st century. Reworked twice: in the fifties of the 3rd century and during the Renaissance period.
Inv. Nos. ГР-12537 / Ж 149. Saint Petersburg, State Hermitage Museum.
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69. GLYPTICS. Rome. Allegory of Octavian’s victory at Actium.
Portrait of Octavian. Capricorn, kerykeion, shield, dolphin, trident, altar and the hand holding a shipboard decoration. Insribed: OCT. CAES. AVG. TER. MA. RQ. VOT. PUB. Sardonyx. Twenties of the 1st century BCE.
Inv. Nos. ГР-12650 / Ж 263. Saint Petersburg, State Hermitage Museum.
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70. GLYPTICS. Rome. Allegory of the victory at Actium.
Sardonyx. Rome. 1st century BCE.
Inv. Nos. ГР-12650 / Ж 263. Saint Petersburg, State Hermitage Museum.
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71. GLYPTICS. Rome. “The Gemma Augustea”.
Onyx. Ca. 12—7 BCE.
Vienna, Museum of Art History.
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72. GLYPTICS. Rome. “The Gemma Augustea”.
Onyx. Ca. 12—7 BCE.
Vienna, Museum of Art History.
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73. GLYPTICS. Rome. “The Gemma Augustea”. The upper register.
Onyx. Ca. 12—7 BCE.
Vienna, Museum of Art History.
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74. GLYPTICS. Rome. “The Gemma Augustea”. The lower register.
Onyx. Ca. 12—7 BCE.
Vienna, Museum of Art History.
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75. GLYPTICS. Rome. Augustus ruling a chariot drawn by tritons.
Cameo. Sardonyx. 27 BCE. Setting: gold, enamel. 1600 CE.
Inv. No. IXa 56. Vienna, Museum of Art History.
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76. GLYPTICS. Rome. Augustus ruling a chariot drawn by tritons.
Cameo. Sardonyx. 27 BCE. Setting: gold, enamel. 1600 CE.
Inv. No. IXa 56. Vienna, Museum of Art History.
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77. GLYPTICS. Rome. Augustus.
Carver agate. Ca. 14 CE.
Inv. No. IXa 67. Vienna, Museum of Art History.
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78. GLYPTICS. Rome. Livia with the bust of the Divus Augustus.
Sardonyx. After 14 CE. Band: 17th cent., gold, enamel.
Inv. No. IXa 95. Vienna, Museum of Art History.
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79. INSCRIPTIONS. Rome. Calendar from Allifae (Fasti Allifani). Fragment.
CIL. IX. 2320 = InscrIt. XIII2. 24.
Inv. No. 27. Capua, Provincial Museum of Campania, Lapidarium of T. Mommsen.
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80. INSCRIPTIONS. Rome. Calendar from Allifae (Fasti Allifani). Fragment.
The age of Tiberius (14—37 CE)? CIL. IX. 2320 = InscrIt. XIII2. 24.
Inv. No. 27. Capua, Provincial Museum of Campania, Lapidarium of Th. Mommsen.
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