THE GALLERY OF ANCIENT ART

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	61. CERAMICS. Greece. Battle over the body of a fallen hero. Red-figure eye-kylix (type A). Attic. Signed by the potter and the painter Exekias. Clay. Ca. 530 BCE. Inv. Nos. 2044 / 8729 / J 339 / KM 3179. Munich, State Antique Collection.
	62. CERAMICS. Greece. Battle over the body of a fallen hero. Red-figure eye-kylix (type A). Attic. Signed by the potter and the painter Exekias. Clay. Ca. 530 BCE. Inv. Nos. 2044 / 8729 / J 339 / KM 3179. Munich, State Antique Collection.
	63. CERAMICS. Greece. Signature of Exekias. Red-figure eye-kylix (type A). Attic. Signed by the potter and the painter Exekias. Clay. Ca. 530 BCE. Inv. Nos. 2044 / 8729 / J 339 / KM 3179. Munich, State Antique Collection.
	64. CERAMICS. Greece. Hera. Red-figured kylix (type B) with white-ground tondo. Potter: follower of Brygos; painter: Sabouroff Painter. Early classical, ca. 470—460 BCE. Inv. Nos. 2685 / ex J 336. Munich, State Antique Collection.
	65. CERAMICS. Greece. Hera. Red-figured kylix (type B) with white-ground tondo. Potter: follower of Brygos; painter: Sabouroff Painter. Early classical, ca. 470—460 BCE. Inv. Nos. 2685 / ex J 336. Munich, State Antique Collection.
	66. CERAMICS. Greece. Achilles killing Penthesilea. Red-figure kylix. Attic. Attributed to the Penthesilea Painter. Clay. Early Classical period, ca. 470—460 BCE. Inv. Nos. 2688 / J 370. Munich, State Antique Collection.
	67. CERAMICS. Greece. Achilles killing Penthesilea. Red-figure kylix. Attic. Attributed to “Penthesilea Painter”. Clay. Early Classical period, ca. 470—460 BCE. Inv. Nos. 2688 / J 370. Munich, State Antique Collection.
	68. CERAMICS. Greece. Feasting Heracles. Bilingual amphora, type A. Attic. Attributed to the Andokides Painter (Furtwängler), to the Lysippides Painter (Beazley). Clay. Ca. 520—510 BCE. Inv. Nos. J 388 / 2301. Munich, State Antique Collection.
	69. CERAMICS. Greece. Heracles on the kline surrounded by Hermes, Athens and the cupbearer. Bilingual amphora, type A. Attic. The Andokides Painter (red-figure painting) and the Lysippides Painter (black-figure painting). Clay. Ca. 520—510 BCE. Inv. Nos. J 388 / 2301. Munich, State Antique Collection.
	70. CERAMICS. Greece. Heracles on the kline in the presence of Athena. Bilingual amphora, type A. Attic. The Andokides Painter (red-figure painting) and the Lysippides Painter (black-figure painting). Clay. Ca. 520—510 BCE. Inv. Nos. J 388 / 2301. Munich, State Antique Collection.
	71. CERAMICS. Greece. Apollon slaying the giant Tityos who aggressed Apollon’s mother Leto. Red-figure kylix, type B. Attic, Athens. Attributed to the Penthesilea Painter (by Furtwangler). Clay. Early classical, ca. 460—450 BCE. Inv. Nos. J 402 / 2689. Munich, State Antique Collection.
	72. CERAMICS. Southern Italy. Hesperides. Apulian vase. 4th century BCE. Naples, National Archaeological Museum.
	73. CERAMICS. Southern Italy. So-called “Vase of Patroclus”, side B. Red-figured volute-krater. Apulia. Darius Painter. Clay. 340—320 BCE. Inv. No. 81954 (?). Naples, National Archaeological Museum.
	74. CERAMICS. Southern Italy. So-called “Vase of Patroclus”, side A. Red-figured volute-krater. Apulia. Darius Painter. Clay. 340—320 BCE. Inv. No. 81954 (?). Naples, National Archaeological Museum.
	75. CERAMICS. Southern Italy. Jason and the Golden Fleece. Red-figured volute krater (side A). Paestum. Ca. 340—330 BCE. Attributed to the Apulianising Group. Inv. No. 82126. Naples, National Archaeological Museum.
	76. CERAMICS. Greece. The girls filling hydrias with water before the pump room of the Callicren spring. Vase from Vulci. Inv. No. 06.1021.77. New York, Metropolitan Museum of Art.
	77. CERAMICS. Greece. Women at fountain house. Black-figured hydria. Attic. Ca. 510—500 BCE. Attributed to the Class of Hamburg 1917.477. Inv. No. 06.1021.77. New York, Metropolitan Museum of Art.
	78. CERAMICS. Greece. Pompe, the female personification of a procession, between Eros and Dionysos. Oinochoe. Attic. Mid-4th cent. BCE. Inv. No. 25.190. New York, Metropolitan Museum of Art.
	79. CERAMICS. Greece. Nike (the personification of victory) offering fillet (band) to youth. White-ground bobbin (side A). Attic. Attributed to the Penthesilea Painter. Ca. 460—450 BCE. Inv. No. 28.167. New York, Metropolitan Museum of Art.
	80. CERAMICS. Greece. Eros and youth. White-ground bobbin (side B). Attic. Attributed to the Penthesilea Painter. Ca. 460—450 BCE. Inv. No. 28.167. New York, Metropolitan Museum of Art.
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