|
| 341. SCULPTURE. Rome. Dancing satyr. Pentelic marble. Roman copy ca 220 CE after a Greek original by Lysippos of the 4th century BCE (?). Inv. No. 225. Rome, Museum and Gallery of Villa Borghese, Room VIII. | |
| 342. SCULPTURE. Rome. Dancing satyr. Pentelic marble. Roman copy ca 220 CE after a Greek original by Lysippos of the 4th century BCE (?). Inv. No. 225. Rome, Museum and Gallery of Villa Borghese, Room VIII. | |
| 343. SCULPTURE. Rome. Dancing satyr. Pentelic marble. Roman copy ca 220 CE after a Greek original by Lysippos of the 4th century BCE (?). Inv. No. 225. Rome, Museum and Gallery of Villa Borghese, Room VIII. | |
| 344. SCULPTURE. Rome. Discobolus of Myron. Modern reconstruction of the original statue of the 5th century BCE. Coupled bronze-painted plaster casts. Rome, Museum of Classical Art (Gypsotheca) Sapienza University of Rome. | |
| 345. SCULPTURE. Rome. Satyr with cymbals and kroupezion. Marble. Roman copy after a Greek marble or bronze model of the 1st century BCE. Inv. No. 710. Rome, National Gallery of Ancient Art of Corsini Palace. | |
| 346. SCULPTURE. Rome. Satyr with cymbals and kroupezion. Marble. Roman copy after a Greek marble or bronze model of the 1st century BCE. Inv. No. 710. Rome, National Gallery of Ancient Art of Corsini Palace. | |
| 347. SCULPTURE. Rome. Satyr with cymbals and kroupezion (close-up). Marble. Roman copy after a Greek marble or bronze model of the 1st century BCE. Inv. No. 710. Rome, National Gallery of Ancient Art of Corsini Palace. | |
| 348. SCULPTURE. Rome. Satyr with cymbals and kroupezion (close-up). Marble. Roman copy after a Greek marble or bronze model of the 1st century BCE. Inv. No. 710. Rome, National Gallery of Ancient Art of Corsini Palace. | |
| 349. SCULPTURE. Rome. Aphrodite, so-called Charis. Marble. Roman copy of the Imperial age from a Hellenistic reworking of an original by Callimachus (late 5th century BCE). Inv. No. 607. Rome, Palatine Museum. | |
| 350. SCULPTURE. Rome. Aphrodite, so-called Charis. Marble. Roman copy of the Imperial age from a Hellenistic reworking of an original by Callimachus (late 5th century BCE). Inv. No. 607. Rome, Palatine Museum. | |
| 351. SCULPTURE. Rome. Aphrodite, so-called Charis. Marble. Roman copy of the Imperial age from a Hellenistic reworking of an original by Callimachus (late 5th century BCE). Inv. No. 607. Rome, Palatine Museum. | |
| 352. SCULPTURE. Rome. Aphrodite, so-called Charis. Marble. Roman copy of the Imperial age from a Hellenistic reworking of an original by Callimachus (late 5th century BCE). Inv. No. 607. Rome, Palatine Museum. | |
| 353. SCULPTURE. Rome. Magna Mater on the throne. Greek marble. Roman copy of the Flavian time (69—96 CE) after a Hellenistic original. Inv. No. 425523. Rome, Palatine Museum. | |
| 354. SCULPTURE. Rome. Aphrodite (the Capitoline type). Marble. Roman copy of the Imperial age after a Greek prototype of the Hellenistic age. Inv. No. 21. Rome, Roman National Museum, Baths of Diocletian. | |
| 355. SCULPTURE. Rome. Aphrodite (the Capitoline type). A close-up. Marble. Roman copy of the Imperial age after a Greek prototype of the Hellenistic age. Inv. No. 21. Rome, Roman National Museum, Baths of Diocletian. | |
| 356. SCULPTURE. Rome. Drunken Dionysos. White marble. 1st cent. CE (Claudian Age). Inv. No. 74026. Rome, Roman National Museum, Baths of Diocletian. | |
| 357. SCULPTURE. Rome. Jupiter with the aegis. Parian marble. 2nd—3rd cent. CE. Inv. No. 324751. Rome, Roman National Museum, Baths of Diocletian, Small Cloister of the Certosa. | |
| 358. SCULPTURE. Rome. Jupiter with the aegis. Parian marble. 2nd—3rd cent. CE. Inv. No. 324751. Rome, Roman National Museum, Baths of Diocletian, Small Cloister of the Certosa. | |
| 359. SCULPTURE. Rome. Jupiter with the aegis. Parian marble. 2nd—3rd cent. CE. Inv. No. 324751. Rome, Roman National Museum, Baths of Diocletian, Small Cloister of the Certosa. | |
| 360. SCULPTURE. Rome. Jupiter with the aegis. Parian marble. 2nd—3rd cent. CE. Inv. No. 324751. Rome, Roman National Museum, Baths of Diocletian, Small Cloister of the Certosa. | |