RussianTHE GALLERY OF ANCIENT ART
| 2041. SCULPTURE. Rome. Group from Cartoceto di Pergola. Gilded bronze. 50—30 BCE. Ancona, National Archaeological Museum of Marche. | |
| 2042. SCULPTURE. Rome. Group from Cartoceto di Pergola. Detail: the head of one of the horses. Gilded bronze. 50—30 BCE. Ancona, National Archaeological Museum of Marche. | |
| 2043. SCULPTURE. Rome. Group from Cartoceto di Pergola. Detail: the head of the female figure. Gilded bronze. 50—30 BCE. Ancona, National Archaeological Museum of Marche. | |
| 2044. SCULPTURE. Rome. Group from Cartoceto di Pergola. Detail: the head of horseman. Gilded bronze. 50—30 BCE. Ancona, National Archaeological Museum of Marche. | |
| 2045. SCULPTURE. Rome. Reconstruction of the Group from Cartoceto di Pergola. Modern copy of the original of 50—30 BCE. Ancona. | |
| 2046. SCULPTURE. Rome. Group from Cartoceto di Pergola. Gilded bronze. 50—30 BCE. Ancona, National Archaeological Museum of Marche. | |
| 2047. SCULPTURE. Rome. Group from Cartoceto di Pergola. Gilded bronze. 50—30 BCE. Ancona, National Archaeological Museum of Marche. | |
| 2048. SCULPTURE. Rome. Portrait of a Roman noble woman, perhaps belonging to the Julio-Claudian dynasty (Livilla?). Marble. 41—54 CE. Palermo, Regional Archaeological Museum “Antonio Salinas”. | |
| 2049. SCULPTURE. Rome. Portrait of a Roman noble woman, perhaps belonging to the Julio-Claudian dynasty (Livilla?). Marble. 41—54 CE. Inv. No. 705. Palermo, Regional Archaeological Museum “Antonio Salinas”. | |
| 2050. SCULPTURE. Rome. Ulysses escaping from Polyphemus the Cyclops. Marble. Inv. No. 438. Rome, Torlonia Museum. | |
| 2051. SCULPTURE. Rome. Portrait head of a prince of the Julio-Claudian dynasty (Drusus the Younger or the Senior or Claudius?). Marble. 41—54 CE. Palermo, Regional Archaeological Museum “Antonio Salinas”. | |
| 2052. SCULPTURE. Rome. Portrait head of a prince of the Julio-Claudian dynasty (Drusus the Younger or the Senior or Claudius?). Marble. 41—54 CE. Palermo, Regional Archaeological Museum “Antonio Salinas”. | |
| 2053. SCULPTURE. Rome. Domitia Longina, the wife of Domitian. Marble. Head: end of the 1st — beginning of the 2nd cent. CE, bust: modern work. Palermo, Regional Archaeological Museum “Antonio Salinas”. | |
| 2054. SCULPTURE. Rome. Domitia Longina, the wife of Domitian. Marble. Head: end of the 1st — beginning of the 2nd cent. CE, bust: modern work. Palermo, Regional Archaeological Museum “Antonio Salinas”. | |
| 2055. SCULPTURE. Rome. Domitia Longina, the wife of Domitian. Marble. Head: end of the 1st — beginning of the 2nd cent. CE, bust: modern work. Palermo, Regional Archaeological Museum “Antonio Salinas”. | |
| 2056. SCULPTURE. Rome. Domitia Longina, the wife of Domitian. Marble. Head: end of the 1st — beginning of the 2nd cent. CE, bust: modern work. Palermo, Regional Archaeological Museum “Antonio Salinas”. | |
| 2057. SCULPTURE. Rome. The young Octavianus or Gaius Caesar? Marble. 42—37 BCE or 1—3 CE. Inv. No. 83. Florence, Uffizi Gallery. | |
| 2058. SCULPTURE. Rome. The young Octavianus or Gaius Caesar? Marble. 42—37 BCE or 1—3 CE. Inv. No. 83. Florence, Uffizi Gallery. | |
| 2059. SCULPTURE. Greece. Aphrodite of Syracuse (Aphrodite Landolina). White marble from the Greek islands. Copy of the 2nd century CE after a rodio-asiatic original of the 2nd cent. BCE. Inv. No. 694. Syracuse, Regional Archaeological Museum “Paolo Orsi”. | |
| 2060. SCULPTURE. Greece. Aphrodite of Syracuse (Aphrodite Landolina). White marble from the Greek islands. Copy of the 2nd century CE after a rodio-asiatic original of the 2nd cent. BCE. Inv. No. 694. Syracuse, Regional Archaeological Museum “Paolo Orsi”. | |