RussianTHE GALLERY OF ANCIENT ART
| 4081. SCULPTURE. Rome. Sarcophagus with scenes of myth of Phaedra and Hippolytus (rear panel). Marble. Late 2nd cent. CE. Inv. No. A 432. Saint Petersburg, State Hermitage Museum. | |
| 4082. SCULPTURE. Rome. Sarcophagus with scenes of myth of Phaedra and Hippolytus. Rear panel: the hunting for a wild boar. Marble. Late 2nd cent. CE. Inv. No. A 432. Saint Petersburg, State Hermitage Museum. | |
| 4083. SCULPTURE. Rome. Sarcophagus with scenes of myth of Phaedra and Hippolytus. Left side panel: the death of Hippolytus. Marble. Late 2nd cent. CE. Inv. No. A 432. Saint Petersburg, State Hermitage Museum. | |
| 4084. SCULPTURE. Rome. Sarcophagus with scenes of myth of Phaedra and Hippolytus. Right side panel: Phaedra, the wife of Theseus and stepmother of Hippolitus hands over a declaration of love for her stepson to her wet mother. Marble. Late 2nd cent. CE. Inv. No. A 432. Saint Petersburg, State Hermitage Museum. | |
| 4085. SCULPTURE. Rome. Sarcophagus with scenes of myth of Phaedra and Hippolytus (right corner — close up). Marble. Late 2nd cent. CE. Inv. No. A 432. Saint Petersburg, State Hermitage Museum. | |
| 4086. SCULPTURE. Rome. Sarcophagus with scenes of myth of Phaedra and Hippolytus. Front panel: Phaedra’s wet-nurse brings to Hippolytus a love message from Phaedra. Marble. Late 2nd cent. CE. Inv. No. A 432. Saint Petersburg, State Hermitage Museum. | |
| 4087. SCULPTURE. Rome. Sarcophagus with scenes of myth of Phaedra and Hippolytus. Front panel: Phaedra’s wet-nurse brings to Hippolytus a love message from Phaedra. Marble. Late 2nd cent. CE. Inv. No. A 432. Saint Petersburg, State Hermitage Museum. | |
| 4088. SCULPTURE. Rome. Sarcophagus with scenes of myth of Phaedra and Hippolytus. Front panel: the departure of Hippolytus and his friends to the hunt, and his encounter with Phaedra’s wet-nurse. Marble. Late 2nd cent. CE. Inv. No. A 432. Saint Petersburg, State Hermitage Museum. | |
| 4089. SCULPTURE. Rome. Sarcophagus with strigillated ornamentation and central gates (the front panel — close up). Marble. Early 3rd cent. CE. Inv. No. A 183. Saint Petersburg, State Hermitage Museum. | |
| 4090. SCULPTURE. Rome. Sarcophagus with strigillated ornamentation and central gates (the front panel). Marble. Early 3rd cent. CE. Inv. No. A 183. Saint Petersburg, State Hermitage Museum. | |
| 4091. GLYPTICS. Egypt. Gonzaga Cameo (Ptolemy II and Arsinoe II). Sardonyx, silver. Alexandria. 3rd century BCE. Inv. Nos. ГР-12678 / Ж. 291. Saint Petersburg, State Hermitage Museum. | |
| 4092. SCULPTURE. Rome. Nemesis (votive statue). Marble. Egypt. 2nd cent. CE. Inv. Nos. MNE 798 / Ma 4873. Paris, Louvre Museum. | |
| 4093. SCULPTURE. Egypt. Ptolemy I Soter, king of Egypt. Marble. 3rd cent. BCE. Greece or Asia Minor. Inv. Nos. MR 457 / Ma 489. Paris, Louvre Museum. | |
| 4094. SCULPTURE. Egypt. Ptolemy I Soter, king of Egypt. Marble. 3rd cent. BCE. Greece or Asia Minor. Inv. Nos. MR 457 / Ma 489. Paris, Louvre Museum. | |
| 4095. SCULPTURE. Rome. Bust of a youth. Marble. Roman copy of the 1st or 2nd cent. CE of a head of a Greek statue of the 4th cent. BCE. Inv. No. 15.143. New York, Metropolitan Museum of Art. | |
| 4096. SCULPTURE. Rome. Bust of a youth. Marble. Roman copy of the 1st or 2nd cent. CE of a head of a Greek statue of the 4th cent. BCE. Inv. No. 15.143. New York, Metropolitan Museum of Art. | |
| 4097. SCULPTURE. Rome. Farnese Hercules. Italic marble. Roman copy of 2nd cent. CE after a bronze model of the 4th century BCE. Inv. No. 138. Florence, Uffizi Gallery. | |
| 4098. SCULPTURE. Rome. Dionysos and satyr. Marble. Roman copy of 120—140 CE after a Greek model. Florence, Uffizi Gallery. | |
| 4099. SCULPTURE. Rome. Ganymede and the eagle (close-up). White marble. Roman copy of a Greek sculpture of the 3rd century BCE. Restored by Benvenuto Cellini. Inv. No. 128 (1914). Florence, Uffizi Gallery. | |
| 4100. SCULPTURE. Rome. Ganymede and the Eagle. White marble. Roman copy of a Greek sculpture of 3rd century BCE. Restored by Benvenuto Cellini. Inv. No. 318. Florence, Uffizi Gallery. | |