RussianTHE GALLERY OF ANCIENT ART
| 8481. GLYPTICS. Rome. “The Gemma Augustea”. Onyx. Ca. 12—7 BCE. Vienna, Museum of Art History. | |
| 8482. PAINTING, GRAPHICS. Rome. The Fall of Icarus. Fresco from Pompeii (the House of the Priest Amandus, I. 7. 7). 40—79 CE. Pompeii, The House of the Priest Amandus (I, 7, 7). | |
| 8483. PAINTING, GRAPHICS. Rome. Death of Pentheus, torn apart by Bacchantes. Fresco of the Fourth style. 60—79 CE. Pompeii, Archaeological Park, House of the Vettii (VI. 15. 1. n). | |
| 8484. PAINTING, GRAPHICS. Rome. Daedalus and Pasiphae. Fragment. Fresco of the Fourth style. 60—79 CE. Pompeii, Archaeological Park, House of the Vettii (VI. 15. 1. p). | |
| 8485. PAINTING, GRAPHICS. Rome. Punishment of Ixion. Fresco of the Fourth style. 60—79 CE. Pompeii, Archaeological Park, House of the Vettii (VI. 15. 1. p). | |
| 8486. PAINTING, GRAPHICS. Rome. Daedalus and Pasiphae. Fresco of the Fourth style. 60—79 CE. Pompeii, Archaeological Park, House of the Vettii (VI. 15. 1. p). | |
| 8487. SCULPTURE. Rome. Head of an athlete. Greek marble. Roman copy after a Greek statue of 5th century BCE. Inv. No. 188. Rome, Capitoline Museums, Centrale Montemartini Museum, II. 27. | |
| 8488. SCULPTURE. Rome. Head of an athlete. Italian fine-grained marble. 1st century. Roman work after a Greek bronze original of the 5th century BCE. Inv. No. A. 25. Saint Petersburg, State Hermitage Museum. | |
| 8489. SCULPTURE. Rome. Torso — variant of a Diadoumenos by Polykleitos. Marble. 130—140 CE. Roman copy of a Greek original of the 5th century BCE. Private collection, Geneva. | |
| 8490. SCULPTURE. Rome. Torso of an ephebe. Fine-grained marble (Italy?). Roman period, based on a Greek original from the 5th century BCE. Height 1.33 m. Inv. No. A936. Saint Petersburg, State Hermitage Museum. | |
| 8491. SCULPTURE. Rome. Torso of an ephebe. Fine-grained marble (Italy?). Roman period. Height 64 cm. Inv. No. A870. Saint Petersburg, State Hermitage Museum. | |
| 8492. SCULPTURE. Rome. Torso of an ephebe. Coarse-grained marble (Italy?). Roman copy based on a Greek original of the 4th century BCE. Height 60 cm. Inv. No. A. 149. Saint Petersburg, State Hermitage Museum. | |
| 8493. GLYPTICS. Oedipus and Sphinx. Niccolo Amastini (1780—1851). Italy. Early 19th century. Cameo. Three-layered sardonyx, gold. 3.5 × 2.6 cm. Below, under the line of the ground, the signature: N.T. MASTINI F. Inv. No. К 1774. Saint Petersburg, State Hermitage Museum. | |
| 8494. GLYPTICS. Forsaken Ariadne. Antonio Santarelli (1750—1820). Italy. Late 18th — early 19th century. Cameo. Sardonyx, gold. Below, under the line of the ground, the signature: SANTARELLI Inv. No. К 1849. Saint Petersburg, State Hermitage Museum. | |
| 8495. GLYPTICS. Mars and Bellona. Charles Brown (1749—1795). Great Britain. Ca. 1784. Intaglio. Light red cornelian, gold. On the right the signature: C. BROWN INVT Inv. No. И 3946. Saint Petersburg, State Hermitage Museum. | |
| 8496. GLYPTICS. Centaur and Bacchante. Giovanni Pichler (1734—1791). Italy. Last quarter of the 18th century. Cameo. Sardonyx, gold. Inv. No. К-1813. Saint Petersburg, State Hermitage Museum. | |
| 8497. GLYPTICS. The Judgment of Paris. Italy. Second half of the 16th century. Cameo. Chalcedony—onyx, gold. 3.0 × 3.6 cm. Inv. No. К 2438. Saint Petersburg, State Hermitage Museum. | |
| 8498. GLYPTICS. The Fall of Icarus. Italy. Late 16th — early 17th century. Cameo. Agate—onyx, gold. Inv. No. К 2189. Saint Petersburg, State Hermitage Museum. | |
| 8499. GLYPTICS. Apollo, Marsyas, and Olympus. Cameo. Sardonyx, gold. Italy. Late 16th century. Inv. No. К 475. Saint Petersburg, State Hermitage Museum. | |
| 8500. GLYPTICS. Diana at the hunt. Italy. Mid-16th century. Cameo. Sardonyx, gold. 2.4 × 2.5 cm. Inv. No. К 496. Saint Petersburg, State Hermitage Museum. | |