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1. CERAMICS. Greece. Aides throws seeds on the ground ploughed by Demeter.
Red-figure amphora. 430—420 BCE.
Athens, National Archaeological Museum. |
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2. SCULPTURE. Rome. Sarcophagus with a scene of the rape of Persephone (the front side).
Fine-grained marble (possibly Italic). 160—180 CE.
Inv. No. 86. Florence, Uffizi Gallery. |
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3. CERAMICS. Southern Italy. Volute-krater depicting the journey of Orpheus to the Underworld.
Red-figured volute-krater. Apulia. Attributed to The Underworld Painter (by Trendall). Clay. Ca. 330—310 BCE.
Munich, State Antique Collection. |
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4. CERAMICS. Southern Italy. Volute-krater depicting the journey of Orpheus to the Underworld. Detail: Hades and Persephone in their Palace with Orpheus and other denizens of the Underworld.
Red-figured volute-krater. Apulia. Attributed to The Underworld Painter. Clay. Ca. 330—310 BCE.
Munich, State Antique Collection. |
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5. SCULPTURE. Rome. Sarcophagus with scenes of the myth of Protesilaus and Laodamia.
Marble. Late 2nd century CE.
Naples, Santa Chiara Church. |
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6. SCULPTURE. Rome. Sarcophagus with scenes of the myth of Protesilaus and Laodamia.
Left side panel. Marble. Late 2nd century CE.
Naples, Santa Chiara Church. |
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7. SCULPTURE. Rome. Sarcophagus with scenes of the myth of Protesilaus and Laodamia.
The frontal panel. Marble. Late 2nd century CE.
Naples, Santa Chiara Church. |
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8. SCULPTURE. Rome. Sarcophagus with scenes of the myth of Protesilaus and Laodamia. “Laodamia meets Protesilaus”.
The front panel. Marble. Late 2nd century CE.
Naples, Santa Chiara Church. |
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9. SCULPTURE. Rome. Sarcophagus with scenes of a jorney of the shadows of the married couple to the Underworld.
Marble. 2nd—3rd cent. CE.
Ostia, Archaeological Museum. |
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10. SCULPTURE. Rome. Strigilated sarcophagus with funerary inscription in tabula ansata.
Marble. 170—300 CE.
Ostia, Archaeological Museum. |
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11. SCULPTURE. Rome. Sarcophagus of a child with a double-sloping lid and a funerary inscription in tabula ansata.
Marble. 2nd—3rd cent. CE.
Ostia, Archaeological Museum. |
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12. SCULPTURE. Rome. Sarcophagus of a child with a double-sloping lid and a funerary inscription in tabula ansata.
Marble. 2nd—3rd cent. CE.
Ostia, Archaeological Museum. |
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13. SCULPTURE. Rome. Sarcophagus with a myth of Selene and Endymion. Frieze of the lid.
Luna marble. Mid-2nd cent. CE.
Inv. No. MC 725. Rome, Capitoline Museums, Palazzo dei Conservatori. |
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14. SCULPTURE. Rome. Front panel of a sarcophagus with a scene of abduction of Persephone by Hades and side panels with sphinges.
Marble. 150—175 CE.
Inv. No. Гр-3087 (А184). Saint Petersburg, State Hermitage Museum. |
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15. SCULPTURE. Pluto abducting Proserpina.
Simon Louis Boizot (1743—1809). Bronze. 1786.
Inv. No. Н.ск. 2185. Saint Petersburg, State Hermitage Museum. |
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16. PAINTING, GRAPHICS. Odysseus in the Underworld.
Johann Georg Hiltensperger (1806—1890). Wall panel, 1845—1848. No. LVII.
Saint Petersburg, State Hermitage Museum, The Gallery of the History of Ancient Painting, 57. |
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17. SCULPTURE. Rome. Front relief of a sarcophagus with a with a scene of the Persephone’s abduction.
Marble. Roman work of the 2nd cent. CE.
Inv. No. 167. Venice, National Archaeological Museum. |
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18. SCULPTURE. Rome. Front relief of a sarcophagus with a with a scene of the Persephone’s abduction (close-up).
Marble. Roman work of the 2nd cent. CE.
Inv. No. 167. Venice, National Archaeological Museum. |
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19. SCULPTURE. Rome. Front panel of a sarcophagus with a scene of abduction of Persephone by Hades.
Marble. Beginning of the 3rd cent. CE.
Inv. No. I 1126. Vienna, Museum of Art History. |
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20. SCULPTURE. Rome. Side panel of a sarcophagus with a scene of abduction of Persephone by Hades.
Marble. Beginning of the 3rd cent. CE.
Inv. No. I 1126. Vienna, Museum of Art History. |
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