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1. CERAMICS. Greece.
Aides throws seeds on the ground ploughed by Demeter.
Red-figure amphora.
430—420 BCE.
Athens, National Archaeological Museum. |
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2. SCULPTURE. Rome.
Sarcophagus with a scene of the rape of Persephone (the front side).
Fine-grained marble (possibly Italic).
160—180 CE.
Inv. No. 86.
Florence, Uffizi Gallery. |
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3. CERAMICS. Southern Italy.
Volute-krater depicting the journey of Orpheus to the Underworld.
Red-figured volute-krater. Apulia.
Attributed to The Underworld Painter (by Trendall).
Clay. Ca. 330—310 BCE.
Munich, State Antique Collection. |
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4. CERAMICS. Southern Italy.
Volute-krater depicting the journey of Orpheus to the Underworld. Detail: Hades and Persephone in their Palace with Orpheus and other denizens of the Underworld.
Red-figured volute-krater. Apulia.
Attributed to The Underworld Painter.
Clay. Ca. 330—310 BCE.
Munich, State Antique Collection. |
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5. SCULPTURE. Rome.
Sarcophagus with scenes of the myth of Protesilaus and Laodamia.
Marble. Late 2nd century CE.
Naples, Santa Chiara Church. |
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6. SCULPTURE. Rome.
Sarcophagus with scenes of the myth of Protesilaus and Laodamia.
Left side panel.
Marble. Late 2nd century CE.
Naples, Santa Chiara Church. |
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7. SCULPTURE. Rome.
Sarcophagus with scenes of the myth of Protesilaus and Laodamia.
The frontal panel.
Marble. Late 2nd century CE.
Naples, Santa Chiara Church. |
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8. SCULPTURE. Rome.
Sarcophagus with scenes of the myth of Protesilaus and Laodamia. “Laodamia meets Protesilaus”.
The front panel.
Marble. Late 2nd century CE.
Naples, Santa Chiara Church. |
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9. SCULPTURE. Rome.
Sarcophagus with scenes of a jorney of the shadows of the married couple to the Underworld.
Marble. 2nd—3rd cent. CE.
Ostia, Archaeological Museum. |
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10. SCULPTURE. Rome.
Strigilated sarcophagus with funerary inscription in tabula ansata.
Marble. 170—300 CE.
Ostia, Archaeological Museum. |
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11. SCULPTURE. Rome.
Sarcophagus of a child with a double-sloping lid and a funerary inscription in tabula ansata.
Marble. 2nd—3rd cent. CE.
Ostia, Archaeological Museum. |
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12. SCULPTURE. Rome.
Sarcophagus of a child with a double-sloping lid and a funerary inscription in tabula ansata.
Marble. 2nd—3rd cent. CE.
Ostia, Archaeological Museum. |
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13. SCULPTURE. Rome.
Sarcophagus with a myth of Selene and Endymion. Frieze of the lid.
Luna marble. Mid-2nd cent. CE.
Inv. No. MC 725.
Rome, Capitoline Museums, Palazzo dei Conservatori. |
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14. SCULPTURE. Rome.
Front panel of a sarcophagus with a scene of abduction of Persephone by Hades and side panels with sphinges.
Marble.
150—175 CE.
Inv. No. Гр-3087 (А184).
Saint Petersburg, State Hermitage Museum. |
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15. SCULPTURE.
Pluto abducting Proserpina.
Simon Louis Boizot (1743—1809).
Bronze.
1786.
Inv. No. Н.ск. 2185.
Saint Petersburg, State Hermitage Museum. |
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16. PAINTING, GRAPHICS.
Odysseus in the Underworld.
Johann Georg Hiltensperger (1806—1890).
Wall panel, 1845—1848.
No. LVII.
Saint Petersburg, State Hermitage Museum, The Gallery of the History of Ancient Painting, 57. |
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17. SCULPTURE. Rome.
Front relief of a sarcophagus with a with a scene of the Persephone’s abduction.
Marble.
Roman work of the 2nd cent. CE.
Inv. No. 167.
Venice, National Archaeological Museum. |
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18. SCULPTURE. Rome.
Front relief of a sarcophagus with a with a scene of the Persephone’s abduction (close-up).
Marble.
Roman work of the 2nd cent. CE.
Inv. No. 167.
Venice, National Archaeological Museum. |
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19. SCULPTURE. Rome.
Front panel of a sarcophagus with a scene of abduction of Persephone by Hades.
Marble. Beginning of the 3rd cent. CE.
Inv. No. I 1126.
Vienna, Museum of Art History. |
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20. SCULPTURE. Rome.
Side panel of a sarcophagus with a scene of abduction of Persephone by Hades.
Marble. Beginning of the 3rd cent. CE.
Inv. No. I 1126.
Vienna, Museum of Art History. |
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