THE GALLERY OF ANCIENT ART

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	41. CERAMICS. Greece. Eris flying above the ground. Inside part of a red-figure cup. Attic. Clay. Mid-6th century BCE. Berlin, State Museums, Collection of Classical Antiquities.
	42. INSTRUMENTS. Greece. Ore extraction. Votive tablet from the a mine of Penteskuphia nearby Corinth. Ca. 650—600 BCE. Inv. No. F 871. Berlin, State Museums, Old Museum.
	43. CERAMICS. Greece. Achilles bandages Patroklos’ arm. Red-figure kylix. Attic. Attributed to Sosias as Potter by signature; to “Sosias Painter” by Beazley / “Berlin Painter” by Robertson as painter. Clay. Ca. 500 BCE. Inv. No. F 2278. Berlin, State Museums, Old Museum.
	44. CERAMICS. Greece. Scenes from life of a Greek school. Red-figure Cup. Attic. By the Douris Painter. Clay. Ca. 500—450 BCE. Inv. No. F 2285. Berlin, State Museums, Old Museum.
	45. CERAMICS. Greece. Youth with a diptych. Red-figure vase. By the Douris Painter. Clay. 500—470 BCE. Inv. No. F 2285. Berlin, State Museums, Old Museum.
	46. CERAMICS. Greece. Scenes from life of a Greek school. Red-figure kylix, type B. Attic, Athens. Attributed to Python as potter; signed by Douris as painter (signature: Δορις εγραφσεν). Clay. Late archaic, transition to early classical, ca. 485—480 BCE. Inv. No. F 2285. Berlin, State Museums, Old Museum.
	47. CERAMICS. Greece. Scenes from life of a Greek school. Red-figure kylix, type B. Attic, Athens. Attributed to Python as potter; signed by Douris as painter (signature: Δορις εγραφσεν). Clay. Late archaic, transition to early classical, ca. 485—480 BCE. Inv. No. F 2285. Berlin, State Museums, Old Museum.
	48. CERAMICS. Greece. The Pythia. Inv. No. F 2538. Berlin, State Museums, Old Museum.
	49. CERAMICS. Greece. Hippocampuses and dolphins. Cyprian hydria with the name of Timocles in local syllabic writing. Clay. Ca. 300 BCE. Brussels, Museum.
	50. CERAMICS. Southern Italy. Amphora with the myth of Ixion. South Italy, Campania. Seconf half of 4th cent. BCE. Capua, Provincial Museum of Campania.
	51. CERAMICS. Southern Italy. Amphora with the myth of Ixion. South Italy, Campania. Seconf half of 4th cent. BCE. Capua, Provincial Museum of Campania.
	52. CERAMICS. Southern Italy. Amphora with the myth of Ixion (close-up). South Italy, Campania. Seconf half of 4th cent. BCE. Capua, Provincial Museum of Campania.
	53. ARCHITECTURE. Rome. Entrance to the villa. Mid-1st century CE. Castellammare di Stabia, Villa San Marco.
	54. ARCHITECTURE. Rome. Portico of the Lower Peristyle. Mid-1st century CE. Castellammare di Stabia, Villa San Marco, 20.
	55. CERAMICS. Magna Graecia. Nude Eros sitting on an altar. Red-figure skyphoid pyxis. Sicilian work. Attributed to the minor production if the “Gruppo Lentini Manfria”. 370—340 BCE. Cefalu, Mandralisca Museum.
	56. CERAMICS. Magna Graecia. Tuna trade scene. Red-figure bell-krater. Sicilian work. Attributed to the Tuna seller Painter. 380—370 BCE. Inv. No. 2. Cefalu, Mandralisca Museum.
	57. CERAMICS. Greece. Hypnos and Thanatos carry the corpse of Sarpedon at the presence of Hermes. Red-figure calyx-krater (side A). Attic. Signed by Euxitheos as potter and by Euphronios as painter. Terracotta. Ca. 515—510 BCE. Inv. Nos. ex 1972.11.10 / ex L.2006.10. Cerveteri, Cerite National Museum “Claudia Ruspoli”.
	58. CERAMICS. Greece. Warriors arming (Hyperochos, Hippasos, Megon, Akastos, Achsippos). Red-figure calyx-krater (side B). Attic. Signed by Euxitheos as potter and by Euphronios as painter. Terracotta. Ca. 515—510 BCE. Inv. Nos. ex 1972.11.10 / ex L.2006.10. Cerveteri, Cerite National Museum “Claudia Ruspoli”.
	59. CERAMICS. Southern Italy. Young Dionysus and Pan. Red-figured bell krater. Apulia. Clay. Attributed to the Tarporley Painter. Ca. 410—390 BCE. Inv. Nos. ex L.63.21.5 / ex L.1988.81.4 / ex 3985. Chicago, Art Institute.
	60. CERAMICS. Southern Italy. Two youths. Red-figured bell krater. Apulia. Clay. Attributed to the Tarporley Painter. Ca. 410—390 BCE. Inv. Nos. ex L.63.21.5 / ex L.1988.81.4 / ex 3985. Chicago, Art Institute.
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