THE GALLERY OF ANCIENT ART

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	361. SCULPTURE. Rome. Funerary inscription of Gaius Iulius Felicio. Marble. 1-50 CE. L. 38, H 9.2 cm. CIL 06, 20153. Saint Petersburg, National Library of Russia (NLR).
	362. SCULPTURE. Rome. Inscription in a columbarium establishing ownership of a wall with niches for urns. Marble. L. 42.8, H. 30 cm. CIL 06, 23400. ILS 7933a. Saint Petersburg, National Library of Russia (NLR).
	363. SCULPTURE. Rome. Collection of ancient inscriptions of the National Library of Russia. Saint Petersburg, National Library of Russia (NLR).
	364. SCULPTURE. Rome. Cippus of freedmen Scantius Olimpus and Scantia Agela. Roman work. Marble. 2nd century CE. Inv. No. A.108. Saint Petersburg, State Hermitage Museum.
	365. SCULPTURE. Rome. Cippus of freedmen Scantius Olimpus and Scantia Agela (inscription). Roman work. Marble. 2nd century CE. Inv. No. A.108. Saint Petersburg, State Hermitage Museum.
	366. SCULPTURE. Rome. Cinerery urn of Cornelius Eutichius. Roman work. Carrara marble. End of the 1st century CE. Inv. No. A. 437. Saint Petersburg, State Hermitage Museum.
	367. GLYPTICS. Rome. Allegory of Octavian’s victory at Actium. Portrait of Octavian. Capricorn, kerykeion, shield, dolphin, trident, altar and the hand holding a shipboard decoration. Insribed: OCT. CAES. AVG. TER. MA. RQ. VOT. PUB. Sardonyx. Twenties of the 1st century BCE. Inv. Nos. ГР-12650 / Ж 263. Saint Petersburg, State Hermitage Museum.
	368. GLYPTICS. Rome. Allegory of the victory at Actium. Sardonyx. Rome. 1st century BCE. Inv. Nos. ГР-12650 / Ж 263. Saint Petersburg, State Hermitage Museum.
	369. SCULPTURE. Rome. The Calvatone Victory. Guilded bronze. 2nd cent. CE. Torso, head and sphere wit inscription are of ancient origin. The rest parts were reconstructed and added in 1844 according to the then views of the iconography of Victory. Inv. No. ЗСсэ-574. Saint Petersburg, State Hermitage Museum.
	370. SCULPTURE. Rome. The Calvatone Victory (close up). Guilded bronze. 2nd cent. CE. Torso, head and sphere wit inscription are of ancient origin. The rest parts were reconstructed and added in 1844 according to the then views of the iconography of Victory. Inv. No. ЗСсэ-574. Saint Petersburg, State Hermitage Museum.
	371. SCULPTURE. Rome. The Calvatone Victory. Guilded bronze. 2nd cent. CE. Torso, head and sphere wit inscription are of ancient origin. The rest parts were reconstructed and added in 1844 according to the then views of the iconography of Victory. Inv. No. ЗСсэ-574. Saint Petersburg, State Hermitage Museum.
	372. SCULPTURE. Rome. Tombstone of Salvia. Second half of the 1st century BCE. Santa Maria Capua Vetere, Archaeological Museum of ancient Capua.
	373. INSCRIPTIONS. Rome. Tombstone of Salvia (close-up). Second half of the 1st century BCE. CIL X 4327. Santa Maria Capua Vetere, Archaeological Museum of ancient Capua.
	374. INSCRIPTIONS. Rome. Tombstone of the spouses and their daughter. Second half of the 1st century BCE. Santa Maria Capua Vetere, Archaeological Museum of ancient Capua.
	375. SCULPTURE. Rome. Tombstone of freedmen and their patron. First half of the 1st century CE. Santa Maria Capua Vetere, Archaeological Museum of ancient Capua.
	376. INSCRIPTIONS. Southern Italy. Tombstone of a freedman anda freedwoman. First half of the 1st century BCE. Santa Maria Capua Vetere, Archaeological Museum of ancient Capua.
	377. SCULPTURE. Rome. Front panel of a sarcophagus with inscription. 260—280 CE. Santa Maria Capua Vetere, Archaeological Museum of ancient Capua.
	378. INSCRIPTIONS. Rome. Front panel of a sarcophagus with inscription. 260—280 CE. Santa Maria Capua Vetere, Archaeological Museum of ancient Capua.
	379. INSCRIPTIONS. Rome. The inscription of Gaius Orchivius Amemptus. Marble. 67—69 CE. CIL III 2082. Split, Franciscan Monastery of St. Anthony.
	380. INSCRIPTIONS. Rome. Boundary stone with the Law of the Sacred Grove (cippus A) — frontal surface Limestone. Second half of the 3rd centuy BCE. CIL XI, 4766. Spoleto, Civic Archaeological Museum.
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