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1. SCULPTURE. Rome. Sitting nymph from the group “Invitation to the dance”. Medium-grained white marble of Greek provenance (thasian). Roman copy after a Greek marble or bronze model of the 1st century BCE. Claudian period (41—54 CE). Baiae, Archaeological Museum of Phlegraean Fields. | |
2. SCULPTURE. Rome. Sitting nymph from the group “Invitation to the dance”. Medium-grained white marble of Greek provenance (thasian). Roman copy after a Greek marble or bronze model of the 1st century BCE. Claudian period (41—54 CE). Baiae, Archaeological Museum of Phlegraean Fields. | |
3. SCULPTURE. Rome. Sitting nymph from the group “Invitation to the dance”. Medium-grained white marble of Greek provenance (thasian). Roman copy after a Greek marble or bronze model of the 1st century BCE. Claudian period (41—54 CE). Baiae, Archaeological Museum of Phlegraean Fields. | |
4. SCULPTURE. Rome. Dionysos and satyr. Marble. Roman copy of 120—140 CE after a Greek model. Florence, Uffizi Gallery. | |
5. SCULPTURE. Rome. The group of Niobe and her youngest daughter. Pentelic marble. Roman copy of a Greek original by Scopas of the second half of the 4th c. BCE. Inv. No. 294. Florence, Uffizi Gallery. | |
6. SCULPTURE. Rome. The group of Niobe and her youngest daughter. Pentelic marble. Roman copy of a Greek original by Scopas of the second half of the 4th c. BCE. Inv. No. 294. Florence, Uffizi Gallery. | |
7. SCULPTURE. Rome. Statue of wounded Niobid, so-called “Narcisus”. Pentelic marble. Inv. No. 299. Florence, Uffizi Gallery. | |
8. SCULPTURE. Rome. Dancing satyr (from the group “Invitation to the dance”). Greek marble. Copy of the 1st century BCE after a Hellinistic original. Inv. No. 220. Florence, Uffizi Gallery, The Tribuna (Hall 18). | |
9. SCULPTURE. Rome. Dancing satyr (from the group “Invitation to the dance”). Parian marble. Roman copy of the 1st century BCE after a Hellinistic original. Inv. No. 220. Florence, Uffizi Gallery, The Tribuna (Hall 18). | |
10. SCULPTURE. Rome. The Blade-Sharpener (l’Arrotino) from a group “Apollo flaying Marsias”. White marble. Roman copy of 1st cent. BCE after a Hellenistic work. Inv. No. 220. Florence, Uffizi Gallery, The Tribuna (Hall 18). | |
11. SCULPTURE. Greece. The Blade-Sharpener (l’Arrotino) from a group “Apollo flaying Marsias”. White marble. Roman copy of 1st cent. BCE after a Hellenistic work. Inv. No. 230. Florence, Uffizi Gallery, The Tribuna (Hall 18). | |
12. SCULPTURE. Greece. Athena from the group “Athena and Marsyas”. Marble. Frankfort on the Main, Municipal Gallery Liebieghaus. | |
13. SCULPTURE. Rome. Athena from the group “Athena and Marsyas”. Marble. Roman copy after a bronze Greek original by Myron of the mid-5th cent. BCE. Frankfort on the Main, Municipal Gallery Liebieghaus. | |
14. SCULPTURE. Rome. Part of the sculptural group “The Slaughter of the Niobids”: Niobe tries to protect her younger daughter from Artemis. Marble. Roman copy of the mid-2nd century CE after a Greek original of the 4th century BCE. Inv. Nos. 265 / 266. Heraklion, Archaeological Museum. | |
15. SCULPTURE. Rome. Part of the sculptural group “The Slaughter of the Niobids”: Niobe tries to protect her younger daughter from Artemis. Marble. Roman copy of the mid-2nd century CE after a Greek original of the 4th century BCE. Inv. No. 265. Heraklion, Archaeological Museum. | |
16. SCULPTURE. Rome. Part of the sculptural group “The Slaughter of the Niobids”: Artemis. Marble. Roman copy of the mid-2nd century CE after a Greek original of the 4th century BCE. Inv. No. 266. Heraklion, Archaeological Museum. | |
17. SCULPTURE. Rome. Female statues, so-called Dancers. Bronze. Roman work of the Augustan age after a Hellenistic model. Inv. Nos. 5620 / 5621 / 5605 / 5604 / 5619. Naples, National Archaeological Museum. | |
18. SCULPTURE. Rome. Female statues, so-called Dancers. Bronze. Roman work of the Augustan age after a Hellenistic model. Inv. Nos. 5620 / 5621 / 5605 / 5604 / 5619. Naples, National Archaeological Museum. | |
19. SCULPTURE. Rome. Female statues, so-called Dancers. Bronze. Roman work of the Augustan age after a Hellenistic model. Inv. No. 5620. Naples, National Archaeological Museum. | |
20. SCULPTURE. Rome. Female statues, so-called Dancers. Bronze. Roman work of the Augustan age after a Hellenistic model. Inv. No. 5620. Naples, National Archaeological Museum. | |