THE GALLERY OF ANCIENT ART

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	421. SCULPTURE. Rome. The Calvatone Victory. Guilded bronze. 2nd cent. CE. Torso, head and sphere wit inscription are of ancient origin. The rest parts were reconstructed and added in 1844 according to the then views of the iconography of Victory. Inv. No. ЗСсэ-574. Saint Petersburg, State Hermitage Museum.
	422. SCULPTURE. Rome. Tombstone of Salvia. Second half of the 1st century BCE. Santa Maria Capua Vetere, Archaeological Museum of ancient Capua.
	423. INSCRIPTIONS. Rome. Tombstone of Salvia (close-up). Second half of the 1st century BCE. CIL X 4327. Santa Maria Capua Vetere, Archaeological Museum of ancient Capua.
	424. INSCRIPTIONS. Rome. Tombstone of the spouses and their daughter. Second half of the 1st century BCE. Santa Maria Capua Vetere, Archaeological Museum of ancient Capua.
	425. SCULPTURE. Rome. Tombstone of freedmen and their patron. First half of the 1st century CE. Santa Maria Capua Vetere, Archaeological Museum of ancient Capua.
	426. INSCRIPTIONS. Southern Italy. Tombstone of a freedman anda freedwoman. First half of the 1st century BCE. Santa Maria Capua Vetere, Archaeological Museum of ancient Capua.
	427. SCULPTURE. Rome. Front panel of a sarcophagus with inscription. 260—280 CE. Santa Maria Capua Vetere, Archaeological Museum of ancient Capua.
	428. INSCRIPTIONS. Rome. Front panel of a sarcophagus with inscription. 260—280 CE. Santa Maria Capua Vetere, Archaeological Museum of ancient Capua.
	429. INSCRIPTIONS. Rome. The inscription of Gaius Orchivius Amemptus. Marble. 67—69 CE. CIL III 2082. Split, Franciscan Monastery of St. Anthony.
	430. INSCRIPTIONS. Rome. Boundary stone with the Law of the Sacred Grove (cippus A) — frontal surface Limestone. Second half of the 3rd centuy BCE. CIL XI, 4766. Spoleto, Civic Archaeological Museum.
	431. INSCRIPTIONS. Rome. Boundary stone with the Law of the Sacred Grove (cippus B) — rear surface. Limestone. Second half of the 3rd centuy BCE. CIL XII, nota al 366. Spoleto, Civic Archaeological Museum.
	432. SCULPTURE. Southern Italy. Sarcophagus with portraits of the spouses in a shell and scenes of the Old and the New Testament (The sarcophagus of Adelfia). Marble. Second quarter of the 4th cent. CE. CIL X 7123. Syracuse, Regional Archaeological Museum “Paolo Orsi”.
	433. SCULPTURE. Southern Italy. Sarcophagus with portraits of the spouses in a shell and scenes of the Old and the New Testament (The sarcophagus of Adelfia). Marble. Second quarter of the 4th cent. CE. CIL X 7123. Syracuse, Regional Archaeological Museum “Paolo Orsi”.
	434. PAINTING, GRAPHICS. Etruria. Interior of the Tombs of the Shields before restoration. 3rd—2nd centuries BCE. Tarquinia, Tomb of the Shields.
	435. PAINTING, GRAPHICS. Etruria. Interior of the Tombs of the Shields after restoration. 3rd—2nd centuries BCE. Tarquinia, Tomb of the Shields.
	436. PAINTING, GRAPHICS. Etruria. Feast of Lars Velch. 3rd—2nd centuries BCE. Tarquinia, Tomb of the Shields.
	437. PAINTING, GRAPHICS. Etruria. The meal scene. 3rd—2nd centuries BCE. Tarquinia, Tomb of the Shields.
	438. SCULPTURE. Greece. Bust of Aelius Nikopolianus. Marble. 200—250 CE. Thessaloniki, Archaeological Museum.
	439. TOREUTICS. Greece. Inscription on the lip of the Derveni krater. Bronze. 330—320 BCE. Inv. No. B1. Thessaloniki, Archaeological Museum.
	440. INSCRIPTIONS. Syria. Funerary inscription of Quintus Aemilius Secundus. Marble. Second half of the 1st cent. CE. Inv. No. 376. Venice, National Archaeological Museum.
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