RussianTHE GALLERY OF ANCIENT ART
| 5221. SCULPTURE. Rome. Mounting marks on the adjacent slabs of the lower (decorative) register of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5222. SCULPTURE. Rome. Two slabs of the lower (decorative) register of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5223. SCULPTURE. Rome. Apotheosis of Lucius Verus (detail). Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Inv. No. I 867. Vienna, Ephesos Museum. | |
| 5224. SCULPTURE. Rome. Apotheosis of Lucius Verus (detail). Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Inv. No. I 867. Vienna, Ephesos Museum. | |
| 5225. SCULPTURE. Rome. Apotheosis of Lucius Verus. Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Inv. No. I 867. Vienna, Ephesos Museum. | |
| 5226. SCULPTURE. Rome. Wounded Parthian general on horseback. Scene from a cycle “Parthian war” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Inv. No. 858. Vienna, Ephesos Museum. | |
| 5227. SCULPTURE. Rome. Lucius Verus as Mars (?). Detail. Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5228. SCULPTURE. Rome. Lucius Verus as Mars (?). Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5229. SCULPTURE. Rome. Lucius Verus as Mars (?). Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5230. SCULPTURE. Rome. Sacrifice (close-up). A scene from a cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5231. SCULPTURE. Rome. Sacrifice. A scene of a cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5232. INSCRIPTIONS. Rome. Funerary inscription of Marcus Livius Eros and Julia. Ca. 14—40 CE. CIL VI 4160. Inv. No. 4470. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5233. INSCRIPTIONS. Rome. Funerary inscription of Atticus. Ca. 1—14 CE. CIL VI 4033. Inv. No. 4471. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5234. INSCRIPTIONS. Rome. Funerary inscription of Macaria, the wife of Litto. Ca. 1—14 CE. CIL VI 4072. Inv. No. 4726. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5235. INSCRIPTIONS. Rome. Funerary inscription of Irene, the freedwoman of Gemina. Ca. 14—40 CE. CIL VI 3994. Inv. No. 4725. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5236. SCULPTURE. Rome. 8 years old Lucius Verus. Detail of a scene of the cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5237. SCULPTURE. Rome. Marcus Aurelius and Antoninus Pius. Detail of a scene of the cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5238. SCULPTURE. Rome. Marcus Aurelius, Antoninus Pius, small Lucius Verus and Hadrian. A scene of a cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5239. APPLIED ART. Rome. Cartibulum. Table-supports (trapezophora): marble. Early Empire period. Rome, Oratoray of St. Barbara. | |
| 5240. APPLIED ART. Rome. Cartibulum. Table-supports (trapezophora): marble. Early Empire period. Rome, Oratoray of St. Barbara. | |