RussianTHE GALLERY OF ANCIENT ART
| 5241. SCULPTURE. Rome. Two slabs of the lower (decorative) register of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5242. SCULPTURE. Rome. Apotheosis of Lucius Verus (detail). Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Inv. No. I 867. Vienna, Ephesos Museum. | |
| 5243. SCULPTURE. Rome. Apotheosis of Lucius Verus (detail). Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Inv. No. I 867. Vienna, Ephesos Museum. | |
| 5244. SCULPTURE. Rome. Apotheosis of Lucius Verus. Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Inv. No. I 867. Vienna, Ephesos Museum. | |
| 5245. SCULPTURE. Rome. Wounded Parthian general on horseback. Scene from a cycle “Parthian war” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Inv. No. 858. Vienna, Ephesos Museum. | |
| 5246. SCULPTURE. Rome. Lucius Verus as Mars (?). Detail. Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5247. SCULPTURE. Rome. Lucius Verus as Mars (?). Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5248. SCULPTURE. Rome. Lucius Verus as Mars (?). Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5249. SCULPTURE. Rome. Sacrifice (close-up). A scene from a cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5250. SCULPTURE. Rome. Sacrifice. A scene of a cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5251. INSCRIPTIONS. Rome. Funerary inscription of Marcus Livius Eros and Julia. Ca. 14—40 CE. CIL VI 4160. Inv. No. 4470. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5252. INSCRIPTIONS. Rome. Funerary inscription of Atticus. Ca. 1—14 CE. CIL VI 4033. Inv. No. 4471. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5253. INSCRIPTIONS. Rome. Funerary inscription of Macaria, the wife of Litto. Ca. 1—14 CE. CIL VI 4072. Inv. No. 4726. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5254. INSCRIPTIONS. Rome. Funerary inscription of Irene, the freedwoman of Gemina. Ca. 14—40 CE. CIL VI 3994. Inv. No. 4725. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5255. SCULPTURE. Rome. 8 years old Lucius Verus. Detail of a scene of the cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5256. SCULPTURE. Rome. Marcus Aurelius and Antoninus Pius. Detail of a scene of the cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5257. SCULPTURE. Rome. Marcus Aurelius, Antoninus Pius, small Lucius Verus and Hadrian. A scene of a cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5258. APPLIED ART. Rome. Cartibulum. Table-supports (trapezophora): marble. Early Empire period. Rome, Oratoray of St. Barbara. | |
| 5259. APPLIED ART. Rome. Cartibulum. Table-supports (trapezophora): marble. Early Empire period. Rome, Oratoray of St. Barbara. | |
| 5260. SCULPTURE. Rome. The abduction of Ganymede. Fragment of ceiling plaster stucco in south-east corner of tepidarium. 1st century CE. Pompeii, Forum Thermae, VII, 5, 24, tepidarium. | |