Russian

THE GALLERY OF ANCIENT ART

5241. SCULPTURE. Rome.
Personifications of Cities: Ktesiphon and Seleukia (?), with a River God.
Scene from a cycle “Personifications of Cities of Roman Empire” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos.
After 169 (166?) CE.
Vienna, Ephesos Museum.
5242. ARCHITECTURE. Rome.
Aqueduct of Antoninus (Caracalla).
(Aqua Antoniniana; the so-called arch of Drusus).
View from via S. Sebastiano.
Rome, Via Appia.
5243. ARCHITECTURE. Rome.
Aqueduct of Antoninus (Caracalla).
(Aqua Antoniniana; the so-called arch of Drusus).
View from the attic of Porta di S. Sebastiano.
Rome, Via Appia.
5244. INSCRIPTIONS. Rome.
Funerary inscription of Charmosynus.
Ca. 1—14 CE.
CIL VI 4020.
Inv. No. 4468.
Rome, Capitoline Museums, Palazzo Nuovo, Gallery.
5245. SCULPTURE. Rome.
Ganymede feeding the eagle. Detail.
Marble. Roman copy of late 1st cent. BCE after a Greek original.
58 × 44 cm.
Inv. No. A. 195.
Saint Petersburg, State Hermitage Museum.
5246. SCULPTURE. Rome.
Ganymede feeding the eagle.
Marble. Roman copy of late 1st cent. BCE after a Greek original.
58 × 44 cm.
Inv. No. A. 195.
Saint Petersburg, State Hermitage Museum.
5247. SCULPTURE. Rome.
Portrait of Aeschylus.
Bronze. Late 16th—early 17th centuries (?).
Renaissance reproduction of a Roman copy of the Flavian age of a Greek original (?).
Inv. No. 1644.
Florence, National Archaeological Museum.
5248. SCULPTURE. Rome.
Portrait of Aeschylus.
Bronze. Late 16th—early 17th centuries (?).
Renaissance reproduction of a Roman copy of the Flavian age of a Greek original (?).
Inv. No. 1644.
Florence, National Archaeological Museum.
5249. SCULPTURE. Rome.
Mounting marks on the adjacent slabs of the lower (decorative) register of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos.
After 169 (166?) CE.
Vienna, Ephesos Museum.
5250. SCULPTURE. Rome.
Two slabs of the lower (decorative) register of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos.
After 169 (166?) CE.
Vienna, Ephesos Museum.
5251. SCULPTURE. Rome.
Apotheosis of Lucius Verus (detail).
Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Inv. No. I 867.
Vienna, Ephesos Museum.
5252. SCULPTURE. Rome.
Apotheosis of Lucius Verus (detail).
Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Inv. No. I 867.
Vienna, Ephesos Museum.
5253. SCULPTURE. Rome.
Apotheosis of Lucius Verus.
Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Inv. No. I 867.
Vienna, Ephesos Museum.
5254. SCULPTURE. Rome.
Wounded Parthian general on horseback. Scene from a cycle “Parthian war” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Inv. No. 858.
Vienna, Ephesos Museum.
5255. SCULPTURE. Rome.
Lucius Verus as Mars (?). Detail.
Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Vienna, Ephesos Museum.
5256. SCULPTURE. Rome.
Lucius Verus as Mars (?).
Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Vienna, Ephesos Museum.
5257. SCULPTURE. Rome.
Lucius Verus as Mars (?).
Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Vienna, Ephesos Museum.
5258. SCULPTURE. Rome.
Sacrifice (close-up).
A scene from a cycle “Adoption” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Vienna, Ephesos Museum.
5259. SCULPTURE. Rome.
Sacrifice.
A scene of a cycle “Adoption” of the Parthian frieze from Ephesos.
Dolomitic marble from Thasos. After 169 (166?) CE.
Vienna, Ephesos Museum.
5260. INSCRIPTIONS. Rome.
Funerary inscription of Marcus Livius Eros and Julia.
Ca. 14—40 CE.
CIL VI 4160.
Inv. No. 4470.
Rome, Capitoline Museums, Palazzo Nuovo, Gallery.