RussianTHE GALLERY OF ANCIENT ART
| 5261. SCULPTURE. Rome. Sacrifice (close-up). A scene from a cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5262. SCULPTURE. Rome. Sacrifice. A scene of a cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5263. INSCRIPTIONS. Rome. Funerary inscription of Marcus Livius Eros and Julia. Ca. 14—40 CE. CIL VI 4160. Inv. No. 4470. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5264. INSCRIPTIONS. Rome. Funerary inscription of Atticus. Ca. 1—14 CE. CIL VI 4033. Inv. No. 4471. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5265. INSCRIPTIONS. Rome. Funerary inscription of Macaria, the wife of Litto. Ca. 1—14 CE. CIL VI 4072. Inv. No. 4726. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5266. INSCRIPTIONS. Rome. Funerary inscription of Irene, the freedwoman of Gemina. Ca. 14—40 CE. CIL VI 3994. Inv. No. 4725. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5267. SCULPTURE. Rome. 8 years old Lucius Verus. Detail of a scene of the cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5268. SCULPTURE. Rome. Marcus Aurelius and Antoninus Pius. Detail of a scene of the cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5269. SCULPTURE. Rome. Marcus Aurelius, Antoninus Pius, small Lucius Verus and Hadrian. A scene of a cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5270. APPLIED ART. Rome. Cartibulum. Table-supports (trapezophora): marble. Early Empire period. Rome, Oratoray of St. Barbara. | |
| 5271. APPLIED ART. Rome. Cartibulum. Table-supports (trapezophora): marble. Early Empire period. Rome, Oratoray of St. Barbara. | |
| 5272. SCULPTURE. Rome. The abduction of Ganymede. Fragment of ceiling plaster stucco in south-east corner of tepidarium. 1st century CE. Pompeii, Forum Thermae, VII, 5, 24, tepidarium. | |
| 5273. ARCHITECTURE. Mont Auxois. Alesia. | |
| 5274. SCULPTURE. Rome. Portrait of an unknown man. Bronze. End of the Augustan period. Verona, Archaeological Museum. | |
| 5275. SCULPTURE. Rome. Portrait of an unknown man. Bronze. End of the Augustan period. Verona, Archaeological Museum. | |
| 5276. SCULPTURE. Rome. Portrait of an unknown man. Bronze. End of the Augustan period. Verona, Archaeological Museum. | |
| 5277. SCULPTURE. Greece. Sphinx with youth as victim. Roman copy from detail on throne of Pheidias’ Zeus at Olympia Bronze. Vienna, Ephesos Museum. | |
| 5278. SCULPTURE. Rome. Ganymede feeding the eagle. Marble. Roman copy of late 1st cent. BCE after a Greek original. 58 × 44 cm. Inv. No. A. 195. Saint Petersburg, State Hermitage Museum. | |
| 5279. SCULPTURE. Rome. Cicero (presumably). Marble. Rome, Mausoleum of Hadrian (Castle of the Holy Angel). | |
| 5280. SCULPTURE. Rome. Cicero (presumably). Marble. Rome, Mausoleum of Hadrian (Castle of the Holy Angel). | |