RussianTHE GALLERY OF ANCIENT ART
| 5261. SCULPTURE. Rome. Two slabs of the lower (decorative) register of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5262. SCULPTURE. Rome. Apotheosis of Lucius Verus (detail). Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Inv. No. I 867. Vienna, Ephesos Museum. | |
| 5263. SCULPTURE. Rome. Apotheosis of Lucius Verus (detail). Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Inv. No. I 867. Vienna, Ephesos Museum. | |
| 5264. SCULPTURE. Rome. Apotheosis of Lucius Verus. Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Inv. No. I 867. Vienna, Ephesos Museum. | |
| 5265. SCULPTURE. Rome. Wounded Parthian general on horseback. Scene from a cycle “Parthian war” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Inv. No. 858. Vienna, Ephesos Museum. | |
| 5266. SCULPTURE. Rome. Lucius Verus as Mars (?). Detail. Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5267. SCULPTURE. Rome. Lucius Verus as Mars (?). Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5268. SCULPTURE. Rome. Lucius Verus as Mars (?). Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5269. SCULPTURE. Rome. Sacrifice (close-up). A scene from a cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5270. SCULPTURE. Rome. Sacrifice. A scene of a cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5271. INSCRIPTIONS. Rome. Funerary inscription of Marcus Livius Eros and Julia. Ca. 14—40 CE. CIL VI 4160. Inv. No. 4470. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5272. INSCRIPTIONS. Rome. Funerary inscription of Atticus. Ca. 1—14 CE. CIL VI 4033. Inv. No. 4471. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5273. INSCRIPTIONS. Rome. Funerary inscription of Macaria, the wife of Litto. Ca. 1—14 CE. CIL VI 4072. Inv. No. 4726. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5274. INSCRIPTIONS. Rome. Funerary inscription of Irene, the freedwoman of Gemina. Ca. 14—40 CE. CIL VI 3994. Inv. No. 4725. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5275. SCULPTURE. Rome. 8 years old Lucius Verus. Detail of a scene of the cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5276. SCULPTURE. Rome. Marcus Aurelius and Antoninus Pius. Detail of a scene of the cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5277. SCULPTURE. Rome. Marcus Aurelius, Antoninus Pius, small Lucius Verus and Hadrian. A scene of a cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5278. APPLIED ART. Rome. Cartibulum. Table-supports (trapezophora): marble. Early Empire period. Rome, Oratoray of St. Barbara. | |
| 5279. APPLIED ART. Rome. Cartibulum. Table-supports (trapezophora): marble. Early Empire period. Rome, Oratoray of St. Barbara. | |
| 5280. SCULPTURE. Rome. The abduction of Ganymede. Fragment of ceiling plaster stucco in south-east corner of tepidarium. 1st century CE. Pompeii, Forum Thermae, VII, 5, 24, tepidarium. | |