RussianTHE GALLERY OF ANCIENT ART
| 5261. SCULPTURE. Rome. Nine Muses, Athena and Apollo. Detail: Polyhymnia, Euterpe, Thalia, Melpomene, Erato. Relief of the front wall of a sarcophagus. Marble. 2nd cent. CE. Inv. No. A 185. Saint Petersburg, State Hermitage Museum. | |
| 5262. SCULPTURE. Rome. Nine Muses, Athena and Apollo. Relief of the front wall of a sarcophagus. White fine-grained marble. 2nd cent. CE. Inv. No. A 185. Saint Petersburg, State Hermitage Museum. | |
| 5263. SCULPTURE. Rome. Sarcophagus of the Muses. Detail: Terpsichore and Thalia. White marble. Rome, 180—200 CE. Vienna, Museum of Art History. | |
| 5264. SCULPTURE. Rome. Sarcophagus of the Muses. Detail: Erato. White marble. Rome, 180—200 CE. Vienna, Museum of Art History. | |
| 5265. SCULPTURE. Rome. Sarcophagus of the Muses. Detail: Athena with an owl and a snake. White marble. Rome, 180—200 CE. Vienna, Museum of Art History. | |
| 5266. SCULPTURE. Rome. Sarcophagus of the Muses. White marble. Rome, 180—200 CE. Vienna, Museum of Art History. | |
| 5267. SCULPTURE. Rome. Sarcophagus of the Muses. White marble. Rome, 2nd century CE. Rome, Church of San Crisogono. | |
| 5268. SCULPTURE. Rome. The battle between the Romans and the Parthians. Scene from a cycle “Parthian war” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5269. SCULPTURE. Rome. River god (a close-up of relief “Personifications of Cities: Ktesiphon and Seleukia(?), with a River God”. Scene from a cycle “Personifications of Cities of Roman Empire” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5270. SCULPTURE. Rome. Personifications of Cities: Ktesiphon and Seleukia (?), with a River God. Scene from a cycle “Personifications of Cities of Roman Empire” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5271. ARCHITECTURE. Rome. Aqueduct of Antoninus (Caracalla). (Aqua Antoniniana; the so-called arch of Drusus). View from via S. Sebastiano. Rome, Via Appia. | |
| 5272. ARCHITECTURE. Rome. Aqueduct of Antoninus (Caracalla). (Aqua Antoniniana; the so-called arch of Drusus). View from the attic of Porta di S. Sebastiano. Rome, Via Appia. | |
| 5273. INSCRIPTIONS. Rome. Funerary inscription of Charmosynus. Ca. 1—14 CE. CIL VI 4020. Inv. No. 4468. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5274. SCULPTURE. Rome. Ganymede feeding the eagle. Detail. Marble. Roman copy of late 1st cent. BCE after a Greek original. 58 × 44 cm. Inv. No. A. 195. Saint Petersburg, State Hermitage Museum. | |
| 5275. SCULPTURE. Rome. Ganymede feeding the eagle. Marble. Roman copy of late 1st cent. BCE after a Greek original. 58 × 44 cm. Inv. No. A. 195. Saint Petersburg, State Hermitage Museum. | |
| 5276. SCULPTURE. Rome. Portrait of Aeschylus. Bronze. Late 16th—early 17th centuries (?). Renaissance reproduction of a Roman copy of the Flavian age of a Greek original (?). Inv. No. 1644. Florence, National Archaeological Museum. | |
| 5277. SCULPTURE. Rome. Portrait of Aeschylus. Bronze. Late 16th—early 17th centuries (?). Renaissance reproduction of a Roman copy of the Flavian age of a Greek original (?). Inv. No. 1644. Florence, National Archaeological Museum. | |
| 5278. SCULPTURE. Rome. Mounting marks on the adjacent slabs of the lower (decorative) register of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5279. SCULPTURE. Rome. Two slabs of the lower (decorative) register of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5280. SCULPTURE. Rome. Apotheosis of Lucius Verus (detail). Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Inv. No. I 867. Vienna, Ephesos Museum. | |