RussianTHE GALLERY OF ANCIENT ART
| 5281. SCULPTURE. Rome. Apotheosis of Lucius Verus (detail). Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Inv. No. I 867. Vienna, Ephesos Museum. | |
| 5282. SCULPTURE. Rome. Apotheosis of Lucius Verus. Scene from a cycle “Apotheosis” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Inv. No. I 867. Vienna, Ephesos Museum. | |
| 5283. SCULPTURE. Rome. Wounded Parthian general on horseback. Scene from a cycle “Parthian war” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Inv. No. 858. Vienna, Ephesos Museum. | |
| 5284. SCULPTURE. Rome. Lucius Verus as Mars (?). Detail. Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5285. SCULPTURE. Rome. Lucius Verus as Mars (?). Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5286. SCULPTURE. Rome. Lucius Verus as Mars (?). Scene from a cycle “Apotheosis of Lucius Verus” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5287. SCULPTURE. Rome. Sacrifice (close-up). A scene from a cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5288. SCULPTURE. Rome. Sacrifice. A scene of a cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5289. INSCRIPTIONS. Rome. Funerary inscription of Marcus Livius Eros and Julia. Ca. 14—40 CE. CIL VI 4160. Inv. No. 4470. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5290. INSCRIPTIONS. Rome. Funerary inscription of Atticus. Ca. 1—14 CE. CIL VI 4033. Inv. No. 4471. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5291. INSCRIPTIONS. Rome. Funerary inscription of Macaria, the wife of Litto. Ca. 1—14 CE. CIL VI 4072. Inv. No. 4726. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5292. INSCRIPTIONS. Rome. Funerary inscription of Irene, the freedwoman of Gemina. Ca. 14—40 CE. CIL VI 3994. Inv. No. 4725. Rome, Capitoline Museums, Palazzo Nuovo, Gallery. | |
| 5293. SCULPTURE. Rome. 8 years old Lucius Verus. Detail of a scene of the cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5294. SCULPTURE. Rome. Marcus Aurelius and Antoninus Pius. Detail of a scene of the cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5295. SCULPTURE. Rome. Marcus Aurelius, Antoninus Pius, small Lucius Verus and Hadrian. A scene of a cycle “Adoption” of the Parthian frieze from Ephesos. Dolomitic marble from Thasos. After 169 (166?) CE. Vienna, Ephesos Museum. | |
| 5296. APPLIED ART. Rome. Cartibulum. Table-supports (trapezophora): marble. Early Empire period. Rome, Oratoray of St. Barbara. | |
| 5297. APPLIED ART. Rome. Cartibulum. Table-supports (trapezophora): marble. Early Empire period. Rome, Oratoray of St. Barbara. | |
| 5298. SCULPTURE. Rome. The abduction of Ganymede. Fragment of ceiling plaster stucco in south-east corner of tepidarium. 1st century CE. Pompeii, Forum Thermae, VII, 5, 24, tepidarium. | |
| 5299. ARCHITECTURE. Mont Auxois. Alesia. | |
| 5300. SCULPTURE. Rome. Portrait of an unknown man. Bronze. End of the Augustan period. Verona, Archaeological Museum. | |