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381. INSCRIPTIONS. Rome.
Funerary inscription of the bishop Severus.
White marble.
Late 4th — late 5th century CE.
CIL. IX. 2332.
Inv. No. 27.
Capua, Provincial Museum of Campania, Lapidarium of Th. Mommsen.
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382. MOSAIC. Rome.
Pavimental polychrome mosaic representing s. c. schola cantorum.
Marble, colored stone, glass paste.
End of the 2nd — beginning of the 3rd cent. CE.
Capua, Provincial Museum of Campania, sacristy.
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383. MOSAIC. Rome.
Pavimental polychrome mosaic representing s. c. schola cantorum (close-up).
Marble, colored stone, glass paste.
End of the 2nd — beginning of the 3rd cent. CE.
Capua, Provincial Museum of Campania, sacristy.
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384. ARCHITECTURE. Rome.
Stabiae, villa of Ariadne.
Mid-1st century CE.
Castellammare di Stabia, Villa of Ariadne.
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385. PAINTING, GRAPHICS. Rome.
Fragment of the fresco decoration.
1st century BCE — 1st century CE.
Castellammare di Stabia, Villa of Ariadne, Room 3.
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386. PAINTING, GRAPHICS. Rome.
Wall fresco of the triclinium.
4th style.
54—68 CE.
Castellammare di Stabia, Villa of Ariadne, Room 3.
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387. PAINTING, GRAPHICS. Rome.
Dionysus meets Ariadne on Naxos.
Fresco of the 4th style.
54—68 CE.
Castellammare di Stabia, Villa of Ariadne, Room 3.
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388. PAINTING, GRAPHICS. Rome.
Fragment of the fresco decoration.
Fresco of the Fourth style. Age of Nero (54—68 CE).
Inv. No. 64825.
Castellammare di Stabia, Villa of Ariadne, Room 7.
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389. PAINTING, GRAPHICS. Rome.
Fragment of the fresco decoration.
Fresco of the Fourth style. Age of Nero (54—68 CE).
Inv. No. 86726.
Castellammare di Stabia, Villa of Ariadne, Room 7.
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390. PAINTING, GRAPHICS. Rome.
Candelabrum decorated with birds, and male and female figures.
Fresco of the 4th style.
The Neronian age (54—68 CE).
Castellammare di Stabia, Villa of Ariadne, Room 12.
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391. PAINTING, GRAPHICS. Rome.
Candelabrum decorated with birds, and male and female figures.
Fresco of the 4th style.
The Neronian age (54—68 CE).
Castellammare di Stabia, Villa of Ariadne, Room 12.
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392. CERAMICS. Magna Graecia.
Nude Eros sitting on an altar.
Red-figure skyphoid pyxis. Sicilian work.
Attributed to the minor production if the “Gruppo Lentini Manfria”.
370—340 BCE.
Cefalu, Mandralisca Museum.
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393. CERAMICS. Magna Graecia.
Tuna trade scene.
Red-figure bell-krater. Sicilian work.
Attributed to the Tuna seller Painter.
380—370 BCE.
Inv. No. 2.
Cefalu, Mandralisca Museum.
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394. SCULPTURE. Southern Italy.
Theatre tragic female mask, type katákomos ōchrá.
Painted terracotta.
4th cent. BCE.
Inv. No. 130.
Cefalu, Mandralisca Museum.
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395. SCULPTURE. Greece.
Heracles and the Stymphalian birds.
Marble.
Mid-2nd cent. CE.
Corinth, Archaeological Museum of Ancient Corinth.
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396. SCULPTURE. Greece.
Heracles (from the cycle “The Labours of Heracles”).
Marble. Mid-2nd cent. CE.
Corinth, Archaeological Museum of Ancient Corinth.
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397. SCULPTURE. Greece.
Scene of amazonomachia (cuirassed Greek chasing mounted Amazon).
Marble. Mid-2nd cent. CE.
Corinth, Archaeological Museum of Ancient Corinth.
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398. SCULPTURE. Greece.
Scene of amazonomachia (Greek fighting a kneeling amazon).
Marble.
Mid-2nd cent. CE.
Corinth, Archaeological Museum of Ancient Corinth.
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399. SCULPTURE. Greece.
Funerary stele of Roman legionary C. Valerius Valens.
Marble.
Second half of the 1st — the very beginning of the 2nd cent. CE.
Corinth, Archaeological Museum of Ancient Corinth.
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400. SCULPTURE. Greece.
Funerary stele of Roman legionary C. Valerius Valens (close-up).
Marble. Second half of the 1st — the very beginning of the 2nd cent. CE.
Corinth, Archaeological Museum of Ancient Corinth.
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