ANCIENT ART

Photographer: Egisto Sani (129 photo)
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61. CERAMICS. Greece.
Perseus fleeing away with the head of Medusa.
Red-figure hydria. Attic.
Attributed to Pan Painter (Beazley).
Clay.
Ca. 460 BCE.
Inv. No. 1873,0820.352.
London, British Museum.
62. SCULPTURE. Rome.
The Empress Livia Julia Augusta as the Goddess Ceres.
Marble.
Ca. 30—50 CE.
Inv. No. 2000,0818.1.
London, British Museum.
63. SCULPTURE. Rome.
Male portrait, so-called Sulla.
Marble.
Copy of the Augustan age (27 BCE — 14 CE) from a portrait of the 2nd century BCE.
Inv. No. 309.
Munich, Glyptotek.
64. SCULPTURE. Greece.
Aphrodite and Hermes.
Clay tablet from Locri, Calabria.
Terracotta.
Ca. 475—450 BCE.
Munich, State Antique Collection.
65. CERAMICS. Southern Italy.
Volute-krater depicting the journey of Orpheus to the Underworld.
Red-figured volute-krater. Apulia.
Attributed to The Underworld Painter (by Trendall).
Clay. Ca. 330—310 BCE.
Munich, State Antique Collection.
66. CERAMICS. Southern Italy.
Volute-krater depicting the journey of Orpheus to the Underworld. Detail: a female head.
Red-figured volute-krater. Apulia.
Attributed to The Underworld Painter.
Clay. Ca. 330—310 BCE.
Munich, State Antique Collection.
67. CERAMICS. Southern Italy.
Volute-krater depicting the journey of Orpheus to the Underworld. Detail: Helios and Selene on they chariots.
Red-figured volute-krater. Apulia.
Attributed to The Underworld Painter.
Clay. Ca. 330—310 BCE.
Munich, State Antique Collection.
68. CERAMICS. Southern Italy.
Volute-krater depicting the journey of Orpheus to the Underworld. Detail: Hades and Persephone in their Palace with Orpheus and other denizens of the Underworld.
Red-figured volute-krater. Apulia.
Attributed to The Underworld Painter.
Clay. Ca. 330—310 BCE.
Munich, State Antique Collection.
69. CERAMICS. Southern Italy.
Volute-krater depicting the journey of Orpheus to the Underworld. Detail: Hermes, Heracles and Cerberus, Hecate.
Red-figured volute-krater. Apulia.
Attributed to The Underworld Painter.
Clay. Ca. 330—310 BCE.
Munich, State Antique Collection.
70. CERAMICS. Greece.
Dionysos reclining with a rhyton on a ship sailing among dolphins.
Red-figure eye-kylix (type A). Attic.
Signed by the potter and the painter Exekias.
Clay.
Ca. 530 BCE.
Inv. Nos. 2044 / 8729 / J 339 / KM 3179.
Munich, State Antique Collection.
71. CERAMICS. Greece.
Dionysos reclining with a rhyton on a ship sailing among dolphins.
Red-figure eye-kylix (type A). Attic.
Signed by the potter and the painter Exekias.
Clay.
Ca. 530 BCE.
Inv. Nos. 2044 / 8729 / J 339 / KM 3179.
Munich, State Antique Collection.
72. CERAMICS. Greece.
Battle over the body of a fallen hero.
Red-figure eye-kylix (type A). Attic.
Signed by the potter and the painter Exekias.
Clay.
Ca. 530 BCE.
Inv. Nos. 2044 / 8729 / J 339 / KM 3179.
Munich, State Antique Collection.
73. CERAMICS. Greece.
Battle over the body of a fallen hero.
Red-figure eye-kylix (type A). Attic.
Signed by the potter and the painter Exekias.
Clay.
Ca. 530 BCE.
Inv. Nos. 2044 / 8729 / J 339 / KM 3179.
Munich, State Antique Collection.
74. CERAMICS. Greece.
Signature of Exekias.
Red-figure eye-kylix (type A). Attic.
Signed by the potter and the painter Exekias.
Clay.
Ca. 530 BCE.
Inv. Nos. 2044 / 8729 / J 339 / KM 3179.
Munich, State Antique Collection.
75. CERAMICS. Greece.
Hera.
Red-figured kylix (type B) with white-ground tondo.
Potter: follower of Brygos; painter: Sabouroff Painter.
Early classical, ca. 470—460 BCE.
Inv. Nos. 2685 / ex J 336.
Munich, State Antique Collection.
76. CERAMICS. Greece.
Achilles killing Penthesilea.
Red-figure kylix. Attic.
Attributed to “Penthesilea Painter”.
Clay.
Early Classical period, ca. 470—460 BCE.
Inv. Nos. 2688 / J 370.
Munich, State Antique Collection.
77. PAINTING, GRAPHICS. Rome.
The abandoned Ariadne.
Fresco from Pompeii.
Fourth style. 60—79 CE.
Inv. No. 9047.
Naples, National Archaeological Museum.
78. PAINTING, GRAPHICS. Rome.
The abandoned Ariadne.
Fresco from Pompeii.
Fourth style. 60—79 CE.
Inv. No. 9047.
Naples, National Archaeological Museum.
79. PAINTING, GRAPHICS. Rome.
Woman combing her hair.
Fresco of the Fourth style from Stabiae. 60—79 CE.
Inv. No. 9088.
Naples, National Archaeological Museum.
80. PAINTING, GRAPHICS. Rome.
Apollo and Daphne.
Fresco from Pompeii (House of Meleager, VI. 9. 2. 13).
Fourth style. 60—79 CE.
Inv. No. 9534.
Naples, National Archaeological Museum.
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