THE GALLERY OF ANCIENT ART

Ceramics | Location
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 121. CERAMICS. Greece.
The scene of fight of the Trojan war.
Black-figure amphora. Chalcidice.
Ascribed to the Inscription Painter.
Clay. 550—540 BCE.
Melbourne, National Gallery of Victoria.
 122. CERAMICS. Southern Italy.
Phiale with relief decoration—chariots.
South Italy, Calena.
Clay, glaze. 3rd cent. BCE.
Inv. No. AB 602.
Moscow, Pushkin State Museum of Fine Arts.
 123. CERAMICS. Etruria.
Hydria by Hypsis.
Three Amazons preparing for the battle.
Red-figure hydria.
After the 6th century BCE.
Munich, State Antique Collection.
 124. CERAMICS. Southern Italy.
Volute-krater depicting the journey of Orpheus to the Underworld.
Red-figured volute-krater. Apulia.
Attributed to The Underworld Painter (by Trendall).
Clay. Ca. 330—310 BCE.
Munich, State Antique Collection.
 125. CERAMICS. Southern Italy.
Volute-krater depicting the journey of Orpheus to the Underworld. Detail: a female head.
Red-figured volute-krater. Apulia.
Attributed to The Underworld Painter.
Clay. Ca. 330—310 BCE.
Munich, State Antique Collection.
 126. CERAMICS. Southern Italy.
Volute-krater depicting the journey of Orpheus to the Underworld. Detail: Helios and Selene on they chariots.
Red-figured volute-krater. Apulia.
Attributed to The Underworld Painter.
Clay. Ca. 330—310 BCE.
Munich, State Antique Collection.
 127. CERAMICS. Southern Italy.
Volute-krater depicting the journey of Orpheus to the Underworld. Detail: Hades and Persephone in their Palace with Orpheus and other denizens of the Underworld.
Red-figured volute-krater. Apulia.
Attributed to The Underworld Painter.
Clay. Ca. 330—310 BCE.
Munich, State Antique Collection.
 128. CERAMICS. Southern Italy.
Volute-krater depicting the journey of Orpheus to the Underworld. Detail: Hermes, Heracles and Cerberus, Hecate.
Red-figured volute-krater. Apulia.
Attributed to The Underworld Painter.
Clay. Ca. 330—310 BCE.
Munich, State Antique Collection.
 129. CERAMICS. Greece.
Dionysos reclining with a rhyton on a ship sailing among dolphins.
Red-figure eye-kylix (type A). Attic.
Signed by the potter and the painter Exekias.
Clay.
Ca. 530 BCE.
Inv. Nos. 2044 / 8729 / J 339 / KM 3179.
Munich, State Antique Collection.
 130. CERAMICS. Greece.
Dionysos reclining with a rhyton on a ship sailing among dolphins.
Red-figure eye-kylix (type A). Attic.
Signed by the potter and the painter Exekias.
Clay.
Ca. 530 BCE.
Inv. Nos. 2044 / 8729 / J 339 / KM 3179.
Munich, State Antique Collection.
 131. CERAMICS. Greece.
Battle over the body of a fallen hero.
Red-figure eye-kylix (type A). Attic.
Signed by the potter and the painter Exekias.
Clay.
Ca. 530 BCE.
Inv. Nos. 2044 / 8729 / J 339 / KM 3179.
Munich, State Antique Collection.
 132. CERAMICS. Greece.
Battle over the body of a fallen hero.
Red-figure eye-kylix (type A). Attic.
Signed by the potter and the painter Exekias.
Clay.
Ca. 530 BCE.
Inv. Nos. 2044 / 8729 / J 339 / KM 3179.
Munich, State Antique Collection.
 133. CERAMICS. Greece.
Signature of Exekias.
Red-figure eye-kylix (type A). Attic.
Signed by the potter and the painter Exekias.
Clay.
Ca. 530 BCE.
Inv. Nos. 2044 / 8729 / J 339 / KM 3179.
Munich, State Antique Collection.
 134. CERAMICS. Greece.
Hera.
Red-figured kylix (type B) with white-ground tondo.
Potter: follower of Brygos; painter: Sabouroff Painter.
Early classical, ca. 470—460 BCE.
Inv. Nos. 2685 / ex J 336.
Munich, State Antique Collection.
 135. CERAMICS. Greece.
Hera.
Red-figured kylix (type B) with white-ground tondo.
Potter: follower of Brygos; painter: Sabouroff Painter.
Early classical, ca. 470—460 BCE.
Inv. Nos. 2685 / ex J 336.
Munich, State Antique Collection.
 136. CERAMICS. Greece.
Achilles killing Penthesilea.
Red-figure kylix. Attic.
Attributed to the Penthesilea Painter.
Clay.
Early Classical period, ca. 470—460 BCE.
Inv. Nos. 2688 / J 370.
Munich, State Antique Collection.
 137. CERAMICS. Greece.
Achilles killing Penthesilea.
Red-figure kylix. Attic.
Attributed to “Penthesilea Painter”.
Clay.
Early Classical period, ca. 470—460 BCE.
Inv. Nos. 2688 / J 370.
Munich, State Antique Collection.
 138. CERAMICS. Greece.
Feasting Heracles.
Bilingual amphora, type A. Attic.
Attributed to the Andokides Painter (Furtwängler), to the Lysippides Painter (Beazley).
Clay. Ca. 520—510 BCE.
Inv. Nos. J 388 / 2301.
Munich, State Antique Collection.
 139. CERAMICS. Greece.
Heracles on the kline surrounded by Hermes, Athens and the cupbearer.
Bilingual amphora, type A. Attic.
The Andokides Painter (red-figure painting) and the Lysippides Painter (black-figure painting).
Clay. Ca. 520—510 BCE.
Inv. Nos. J 388 / 2301.
Munich, State Antique Collection.
 140. CERAMICS. Greece.
Heracles on the kline in the presence of Athena.
Bilingual amphora, type A. Attic.
The Andokides Painter (red-figure painting) and the Lysippides Painter (black-figure painting).
Clay. Ca. 520—510 BCE.
Inv. Nos. J 388 / 2301.
Munich, State Antique Collection.
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ANCIENT ART: ADVANCED SEARCH