THE GALLERY OF ANCIENT ART

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	61. CERAMICS. Greece. Feasting Heracles. Bilingual amphora, type A. Attic. Attributed to the Andokides Painter (Furtwängler), to the Lysippides Painter (Beazley). Clay. Ca. 520—510 BCE. Inv. Nos. J 388 / 2301. Munich, State Antique Collection.
	62. CERAMICS. Greece. Heracles on the kline surrounded by Hermes, Athens and the cupbearer. Bilingual amphora, type A. Attic. The Andokides Painter (red-figure painting) and the Lysippides Painter (black-figure painting). Clay. Ca. 520—510 BCE. Inv. Nos. J 388 / 2301. Munich, State Antique Collection.
	63. CERAMICS. Greece. Heracles on the kline in the presence of Athena. Bilingual amphora, type A. Attic. The Andokides Painter (red-figure painting) and the Lysippides Painter (black-figure painting). Clay. Ca. 520—510 BCE. Inv. Nos. J 388 / 2301. Munich, State Antique Collection.
	64. SCULPTURE. Rome. Athena promachos. Marble. Probably a Roman copy of a Greek statue of the 5th cent. BCE or of a Hellenistic original of the 2nd cent. BCE. Inv. No. 6007. Naples, National Archaeological Museum.
	65. SCULPTURE. Rome. Athena promachos. Marble. Probably a Roman copy of a Greek statue of the 5th cent. BCE or of a Hellenistic original of the 2nd cent. BCE. Inv. No. 6007. Naples, National Archaeological Museum.
	66. SCULPTURE. Rome. Athena promachos. Marble. Probably a Roman copy of a Greek statue of the 5th cent. BCE or of a Hellenistic original of the 2nd cent. BCE. Inv. No. 6007. Naples, National Archaeological Museum.
	67. SCULPTURE. Rome. Athena (so-called “Athena Farnese”). Marble. Roman copy of a Greek original ca. 430 BCE (circle of Phidias). Inv. No. 6024. Naples, National Archaeological Museum.
	68. SCULPTURE. Rome. Athena (so-called “Athena Farnese”). Marble. Roman copy of a Greek original ca. 430 BCE (circle of Phidias). Inv. No. 6024. Naples, National Archaeological Museum.
	69. SCULPTURE. Rome. Athena. Carrara marble. Roman copy of a Greek herma (circle of Phidias). 49—25 CE. Inv. No. 6322. Naples, National Archaeological Museum.
	70. SCULPTURE. Rome. Athena. Carrara marble. Roman copy of a Greek herma (circle of Phidias). 49—25 CE. Inv. No. 6322. Naples, National Archaeological Museum.
	71. SCULPTURE. Rome. Athena. Carrara marble. Roman copy of a Greek herma (circle of Phidias). 49—25 CE. Inv. No. 6322. Naples, National Archaeological Museum.
	72. SCULPTURE. Rome. Sarcophagus with scenes of the myth of Prometheus and the creation of man. Marble. 4th cent. CE. Inv. No. 6705. Naples, National Archaeological Museum.
	73. SCULPTURE. Rome. Sarcophagus with scenes of the myth of Prometheus and the creation of man (close-up). Marble. 4th cent. CE. Inv. No. 6705. Naples, National Archaeological Museum.
	74. SCULPTURE. Rome. Sarcophagus with scenes of the myth of Prometheus and the creation of man (close-up). Marble. 4th cent. CE. Inv. No. 6705. Naples, National Archaeological Museum.
	75. PAINTING, GRAPHICS. Rome. Procession of the carpenters. Fresco from Pompeii (VI, 7, 8). 1st cent. CE. Inv. No. 8991. Naples, National Archaeological Museum.
	76. GLYPTICS. Greece. Athena and Poseidon. Cameo. Sardonyx-onyx. 1st century BCE. Inv. No. 25837. Naples, National Archaeological Museum.
	77. CERAMICS. Southern Italy. So-called “Vase of Patroclus”, side B. Red-figured volute-krater. Apulia. Darius Painter. Clay. 340—320 BCE. Inv. No. 81954 (?). Naples, National Archaeological Museum.
	78. CERAMICS. Southern Italy. So-called “Vase of Patroclus”, side A. Red-figured volute-krater. Apulia. Darius Painter. Clay. 340—320 BCE. Inv. No. 81954 (?). Naples, National Archaeological Museum.
	79. PAINTING, GRAPHICS. Rome. Judgment of Paris. Fresco of the 4th style from Pompeii (V. 2. 15). 45—79 CE. Inv. No. 119691. Naples, National Archaeological Museum.
	80. PAINTING, GRAPHICS. Rome. Trojan horse. Fresco of the Fourth style from Pompeii (VII. 6. 38). 45—79 CE. Inv. No. 9010. Naples, National Archaeological Museum, Hall LXXIII.
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