ANCIENT ART

Photographer: Ilya Shurygin (3705 photo)
[1]  ...   [28]  [29]  [30]  [31]  [32]  [33]  [34]  [35]  [36]  ...  [186] 
621. SCULPTURE. Rome.
Philip the Arab (presumably). Detail.
Marble. Mid-3rd century.
Inv. No. 278.
Florence, Uffizi Gallery.
622. SCULPTURE. Rome.
The group of Niobe and her youngest daughter.
Pentelic marble.
Roman copy of a Greek original by Scopas of the second half of the 4th c. BCE.
Inv. No. 294.
Florence, Uffizi Gallery.
623. SCULPTURE. Rome.
The group of Niobe and her youngest daughter.
Pentelic marble.
Roman copy of a Greek original by Scopas of the second half of the 4th c. BCE.
Inv. No. 294.
Florence, Uffizi Gallery.
624. SCULPTURE. Rome.
Statue of wounded Niobid, so-called “Narcisus”.
Pentelic marble.
Inv. No. 299.
Florence, Uffizi Gallery.
625. SCULPTURE. Rome.
Krater with sculptured bas-relief decorations known as the Medici Vase.
Neo-attic work.
Pentelic marble.
Second half of the 1st cent. BCE.
Inv. No. 307.
Florence, Uffizi Gallery.
626. SCULPTURE. Rome.
Krater with sculptured bas-relief decorations known as the Medici Vase.
Neo-attic work.
Pentelic marble.
Second half of the 1st cent. BCE.
Inv. No. 307.
Florence, Uffizi Gallery.
627. SCULPTURE. Rome.
Krater with sculptured bas-relief decorations known as the Medici Vase (close-up).
Neo-attic work.
Pentelic marble.
Second half of the 1st cent. BCE.
Inv. No. 307.
Florence, Uffizi Gallery.
628. SCULPTURE. Rome.
Krater with sculptured bas-relief decorations known as the Medici Vase.
Neo-attic work.
Pentelic marble.
Second half of the 1st cent. BCE.
Inv. No. 307.
Florence, Uffizi Gallery.
629. SCULPTURE. Rome.
Krater with sculptured bas-relief decorations known as the Medici Vase.
Neo-attic work.
Pentelic marble.
Second half of the 1st cent. BCE.
Inv. No. 307.
Florence, Uffizi Gallery.
630. SCULPTURE. Rome.
Relief with Dionysiac scene.
Fine-grained marble.
First half of the 1st cent. CE.
Inv. No. 314.
Florence, Uffizi Gallery.
631. SCULPTURE. Rome.
Relief with dancing Maenads.
Pentelic marble.
Roman copy of the late 1st cent. CE after a Greek original of the 5th cent. BCE.
Inv. No. 318.
Florence, Uffizi Gallery.
632. SCULPTURE. Rome.
Ganymede and the Eagle.
White marble.
Roman copy of a Greek sculpture of 3rd century BCE.
Restored by Benvenuto Cellini.
Inv. No. 318.
Florence, Uffizi Gallery.
633. SCULPTURE. Greece.
Relief with dancing female figures.
Neo-Attic work.
Pentelic marble.
First half of the 2nd cent. CE.
Inv. No. 324.
Florence, Uffizi Gallery.
634. SCULPTURE. Rome.
Relief with Nikai leading a bull to the sacrificial altar.
Pentelic marble.
First half of the 2nd cent. CE.
Inv. No. 330.
Florence, Uffizi Gallery.
635. SCULPTURE. Greece.
Head known as the “Dying Alexander”.
Head — Parian marble, bust (modern work) — Luna marble.
Late 2nd cent. BCE.
Inv. No. 338.
Florence, Uffizi Gallery.
636. SCULPTURE. Rome.
Scene of sacrifice.
Luni marble.
2nd century CE.
Inv. No. 342.
Florence, Uffizi Gallery.
637. SCULPTURE. Rome.
Relief with Sacrificial Scene.
Lunense marble.
2nd quarter of the 2nd century CE.
Inv. No. 342.
Florence, Uffizi Gallery.
638. SCULPTURE. Rome.
Sleeping Hermaphroditus.
Parian marble.
Roman copy of the 1st—2nd cent. CE after a late Hellenistic original of the 2nd—1st cent. BCE.
Inv. No. 343.
Florence, Uffizi Gallery.
639. SCULPTURE. Rome.
Sleeping Hermaphroditus.
Parian marble.
Roman copy of the 1st—2nd cent. CE after a late Hellenistic original of the 2nd—1st cent. BCE.
Inv. No. 343.
Florence, Uffizi Gallery.
640. SCULPTURE. Rome.
Sleeping Hermaphroditus.
Parian marble.
Roman copy of the 1st—2nd cent. CE after a late Hellenistic original of the 2nd—1st cent. BCE.
Inv. No. 343.
Florence, Uffizi Gallery.
[1]  ...   [28]  [29]  [30]  [31]  [32]  [33]  [34]  [35]  [36]  ...  [186]