RussianTHE GALLERY OF ANCIENT ART
| 1321. PAINTING, GRAPHICS. Rome. The Exedra-Pinacotheca of the House of the Vettii. North and east walls. Fourth style. 60—79 CE. Pompeii, Archaeological Park, House of the Vettii (VI. 15. 1. p). | |
| 1322. ARCHITECTURE. Rome. Tomb 21. An inscription denoting the owner of the tomb and its dimensions. Early 1st cent. CE. Inv. No. 19910. Ostia, Archaeological Park “Ostia Antica”, Necropoles of the via Ostiense. | |
| 1323. ARCHITECTURE. Rome. A columbarium niche with urns for ashes. Early 1st cent. CE. Ostia, Archaeological Park “Ostia Antica”, Necropoles of the via Ostiense. | |
| 1324. ARCHITECTURE. Rome. Columbarium B12 with an individual aedicula for an urn on the right). Early 1st cent. CE. Ostia, Archaeological Park “Ostia Antica”, Necropoles of the via Ostiense. | |
| 1325. ARCHITECTURE. Rome. Tomb with small arches (B6). Early 1st cent. CE. Ostia, Archaeological Park “Ostia Antica”, Necropoles of the via Ostiense. | |
| 1326. ARCHITECTURE. Rome. Tomb B8. Early 1st cent. CE. Ostia, Archaeological Park “Ostia Antica”, Necropoles of the via Ostiense. | |
| 1327. ARCHITECTURE. Rome. Columbarium B11. Early 1st cent. CE. Ostia, Archaeological Park “Ostia Antica”, Necropoles of the via Ostiense. | |
| 1328. PAINTING, GRAPHICS. Medea and Ajax. Johann Georg Hiltensperger (1806—1890). Wall panel, 1845—1848. No. LXIX. Saint Petersburg, State Hermitage Museum, The Gallery of the History of Ancient Painting, 69. | |
| 1329. SCULPTURE. Rome. Themistocles. Marble. 1st—2nd cent. CE after an original of the 5th cent. BCE. Inv. No. 85. Ostia, Archaeological Museum. | |
| 1330. SCULPTURE. Rome. Roman military camp on the bank of the Danube (lower register). Marble. 180—193 CE. Rome, Column of Marcus Aurelius, I. | |
| 1331. SCULPTURE. Rome. Roman military camp on the bank of the Danube (lower register). Marble. 180—193 CE. Rome, Column of Marcus Aurelius, I. | |
| 1332. SCULPTURE. Rome. Roman military camp on the bank of the Danube (lower register). Marble. 180—193 CE. Rome, Column of Marcus Aurelius, I. | |
| 1333. SCULPTURE. Rome. Roman military camp on the bank of the Danube (lower register). Marble. 180—193 CE. Rome, Column of Marcus Aurelius, I. | |
| 1334. PAINTING, GRAPHICS. Rome. Architectural composition with sacred idyllic painting on a green background. Fresco from Portici. 20—10 BCE. Inv. No. 8593. Naples, National Archaeological Museum, Hall LXIX. | |
| 1335. PAINTING, GRAPHICS. Rome. Architectural composition with a poet in exedra. Fresco of the 2nd style from Pompeii (VI. 17. 41). 40—30 BCE. Pompeii, House of the library (VI, 17, 41). | |
| 1336. PAINTING, GRAPHICS. Rome. Departure of Chryseis. Fresco of the 4th style from Pompeii (V. 2. 14). 45—79 CE. Inv. No. 119690. Naples, National Archaeological Museum. | |
| 1337. MOSAIC. Rome. Mosaic with an athlete. First half of the 4th cent. with numerous modern restorations. Inv. Nos. 9875 / 9876. Rome, Vatican Museums, Gregorian Profane Museum. | |
| 1338. MOSAIC. Rome. Mosaic with an athlete. First half of the 4th cent. with numerous modern restorations. Inv. Nos. 9875 / 9876. Rome, Vatican Museums, Gregorian Profane Museum. | |
| 1339. SCULPTURE. Rome. Roman soldier with Parthian captive. Relief on west side of the Arch of Septimius Severus. Marble. 203 CE. Rome, Roman Forum, Arch of Septimius Severus. | |
| 1340. SCULPTURE. Rome. Roman soldier with Parthian captive. Relief on west side of the Arch of Septimius Severus. Marble. 203 CE. Rome, Roman Forum, Arch of Septimius Severus. | |